A Quote by Peter Hedges

If you wanted John Gielgud to cry, he could say, 'Which eye?' — © Peter Hedges
If you wanted John Gielgud to cry, he could say, 'Which eye?'
I like to be busy. I once shared an agent with the late Sir John Gielgud, who, at 96, was apparently still ringing up, saying, 'Hello, Gielgud here, any work?' Good on him. We've got to keep working. If we retire, there'll be nobody to play the old wrinklies, and that would be a dreadful shame.
If you are a woman and you bought this book for practical tips on how to make it in a male-dominated workplace, here they are. No pigtails, no tube tops. Cry sparingly. (Some people say “Never let them see you cry.” I say, if you’re so mad you could just cry, then cry. It terrifies everyone.)
Some people say, “Never let them see you cry.” I say, if you’re so mad you could just cry, then cry. It terrifies everyone.
The reason that MGM hired Bobby for Our Gang was that they could look at him and say, cry, and he'd cry, and not many kids can do that unless they really want to cry.
I am happy with my skin, and I'm proud of my skin, which is why I wear it so boldly. But if a job wanted me to, say, try a smoky eye and cover the vitiligo around my eye, I wouldn't have a problem with that.
There have been many gay knights in the past - like Sir Noel Coward or Sir John Gielgud.
You can have a team of unconventional thinkers, as well as conventional thinkers. If you don't have the support of others you cannot achieve anything altogether on your own. It's like a cry in the wilderness. In each instance there were others who could see the same thing, and there were others who could not. It's an obvious difference we see in those who you might say have a bird's eye view, and those who have a worm's eye view. I've come to realize that we all have a different mind set, we all see things differently, and that's what the human condition is really all about.
But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
I almost never cry, and it's something I don't like about myself. I sometimes try and make myself cry. Sometimes, when I'm in pain, I say if I could just cry it would make it so much easier.
The idea that a fashion photograph could make you cry doesn't happen. And I'm proud to say that my slideshows can make people cry.
When I came into the acting profession, it was quite hierarchical. You didn't sit at the same table as the leading actor. Sir Laurence Olivier, Sir John Gielgud... these were very, very intimidating and powerful people.
John's legacy? His bravery. When he had the power, he used it. He really wanted peace on Earth, and John's lyrics, well, that's the brave poetry of the '60s. If he had stayed with us, he could have done so much more.
I would walk into my office, and I would close the door, and I would say, 'I won't cry, I won't cry, I won't cry'... At least, I wasn't going to let them see me cry.
I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
I think John Landgraf sees things in the same way I do. We see eye to eye on a lot.
Give me a moment, because I like to cry for joy. It's so delicious, John dear, to cry for joy.
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