A Quote by Paul W. S. Anderson
When you watch movies in Britain, the reaction when people hate a movie is... they just politely get up and leave at the end. And when they love a movie... they just politely get up and leave at the end.
Related Quotes
One of the things I love about the theater is that no one can tell you to stop. Once you're onstage, it's three hours, and whether you're completely off or you're just horrendous, you've got to find a way to leave an impression. There's not that terrible thing that you get when you're making a movie, where you get in your car at the end of the day knowing that something you're not proud of was immortalized on film, and you can't fix it because they won't reshoot it.
There are movie sites that love movies and there are movie sites that are just bitter people that just hate movies. I find Movieline to be in the latter. The tone is bizarrely hateful.
The day's at end and there's nowhere to go,
Draw to the fire, even this fire is dying;
Get up and once again politely lying
Invite the ladies toward the mistletoe.
People feel the worst film I made was 'Jack.' But to this day, when I get checks from old movies I've made, 'Jack' is one of the biggest ones. No one knows that. If people hate the movie, they hate the movie. I just wanted to work with Robin Williams.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
Some people come out going, I don't get it. And I don't quite know what they're trying to get, what they're struggling for. We have had the reaction where people leave the movie sort of uncomfortable and befuddled. Although that wasn't our intention.
It's nice, when the lights come up at the end of the movie, to not be like, "What did I just watch?"
The movies have been so rank the last couple of years that when I see people lining up to buy tickets I sometimes think that the movies aren't drawing an audience - they're inheriting an audience. People just want to go to a movie. They're stung repeatedly, yet their desire for a good movie - for any movie - is so strong that all over the country they keep lining up.
I've begun to believe more and more that movies are all about transitions, that the key to making good movies is to pay attention to the transition between scenes. And not just how you get from one scene to the next, but where you leave a scene and where you come into a new scene. Those are some of the most important decisions that you make. It can be the difference between a movie that works and a movie that doesn't.
I find music the the clearest and easiest way in to what a movie will feel like - more so than visual references or other movies or dense dossiers of research material. Every now and then I'll send a piece of music or two to people I'm working with - actors or heads of department - when I think it'll help them get a sense of the kind of movie I'm proposing. Often those pieces will end up in the movie - sometimes they won't.
I go to movies expecting to have a whole experience. If I want a movie that doesn't end I'll go to a French movie. A movie has to be complete within itself, it can't just build off the first one or play variations.
There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.
I'm always a little starstruck anyway. So to work with a movie star, which is Brad, I was excited about that; to work with a movie legend, which is Tony, I wouldn't have passed that up. Just to get to watch him and watch how he works.
A lot of people have come up after Brookland and asked, "What happens to her at the end of the novel?" and I will very politely say, well, here are the two possibilities.
When I'm watching one of my movies in a festival with fans who are just into it and they love it? I end up feeling like my film is more interesting, it becomes more fun to watch and I get a special energy that feeds back into my process.
I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw.
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