A Quote by Paul Thomas Anderson
My dad was this sort of avant-garde guy who did all kinds of weird things. He was a true original and anybody who met him never forgot him.
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I am, it seems, an avant-garde dramatist. It would even seem obvious since I am present here at discussions on the avant-garde theatre. It is all entirely official. But what does the term avant-garde mean?
If you try consciously to be avant-garde, it's a little dangerous, like the present state of modern painting, where dealers try to be avant-garde, and under this pretext, painters take some old scraps and call it avant-garde.
The majority of people probably think that Damien Hirst is avant-garde. Look at the amount of people who say 'What is this rubbish? Who is running our galleries? Why are they spending all this money on the avant-garde?' That doesn't make it avant-garde to me.
The avant-garde has always existed throughout the history of mankind. The good things from the avant-garde last and eventually, after many years, become tradition and people forget they were ever part of the avant-garde. The kitchen is a living discipline, always evolving, and there will always be cutting edge things that over the years, ends up being part of tradition.
I didn't have any set idea of what kind of filmmaker I wanted to be. I knew I wanted to tell stories that meant something to me, but I never said I was going to be the weird, avant-garde guy.
My writing is called exotic or avant-garde because I write about rural places. Has it really come to this, that if you write about the country you are avant-garde? How did this happen? Modern agriculture and spaces are still so relevant.
Ted Cruz is a liar. I never met a liar like him. I met a lot tougher people than him but I never met a guy who lies this much.
We will have to create an avant-garde.... We could have a Union for the enlarged Europe, and a Federation for the avant-garde.
The most important thing, my father told me, which I have never forgotten, and which I have often put unto practice was: If you get into a quarrel with anybody, hit him first. "If you hit first, the battle is half-won," my father always said "Don't let him hit first. You hit him first." "What's more," he never forgot to say, too "Usually one blow is all you need." I found this to be true.
The only place Avant Garde looks good is in the words Avant Garde.
I grew up mostly in Champaign, Illinois. My dad was at the University of East Illinois, so I was always around the music. One of my dad's buddies was the avant-garde composer John Cage, so I picked up on that weird classical and eclectic music.
My dad is just like everybody else's dad. I see him as kind of a goofy guy with a great sense of humor. I try to get in a battle of wits with him, but he always gets me. I emulate him because I've never seen anyone work as hard as he does.
More than one branch of the avant-garde, claiming to break with the bourgeois vision and mode of production, remains tied to it in spite of its denials and ex-communications. We are far from having overcome bourgeois thought or practices, despite the socialist "intermission" between the Russian revolution and the collapse of the Berlin wall. The avant-garde has lost its radical nature. On the other hand, "bourgeois theatre" is sometimes subtle enough to flirt with the avant-garde or to make "intelligent boulevard theatre.
I was part of the sort of avant guard tradition of John Cage and music concrete and pushing back the boundaries of avant garde classic pop rhythms. I think everyone brings something completely different to it.
I was blessed to be able to be born here. My dad crossed. My dad illegally went through the border and was living under a bridge; he was homeless. People are making fun of him, beating him up. All kinds of things. After he kind of figured out the situation, he brought my mom over.
The avant-garde understands itself as invading unknown territory, exposing itself to the dangers of sudden, shocking encounters, conquering an as yet unoccupied future ... The avant-garde must find a direction in a landscape into which no one seems to have yet ventured.
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