A Quote by Paul Feig

If you're not connected emotionally to a story, then you're dead. You're as a filmmaker really just opening the door for people to lose interest and their minds to wander, for them to start picking it apart. That's what people will do, people will naturally tear stuff apart because they're trapped with it, they paid money for it. And they came into it wanting to love it. So all you can really do is piss off the audience. Unless you do things right.
If you're not connected emotionally to a story, then you're dead. You're really just opening the door for people to lose interest and their minds to wander, for them to start picking it apart.
I believe there is a place where the restless souls wander. Burdened by the weight of their own sadness, they cannot enter heaven.... And so they wait, trapped between our world and the next, endlessly searching for a way to rid themselves of their pain- in the hope that somehow, someday they will be reunited with the ones they love. If two people really love each other, nothing can keep them apart.
I try not to make political arguments personal. It doesn't help and it switches a lot of people off. The real questions: Will we have peace? Will we have justice? Will we have pensions? Will we have free education? Will we have public services? .... those are the sort of things which interest me. I don't think that having a go at individuals really helps get your point across apart from anything else.
If destiny could bring two people together, then it could just as easily tear them apart, and, if it could tear two people apart, then it could just as easily bring them back together again. There was no beginning, middle and end to destiny. It wasn't neat and manageable. It was random and scary.
A lot of people think that they are really cool because they don't outline. In my writing group, they would say, "I will never outline. I let the characters take me." C'mon, man - I outline the story, but it's only like one page. It's a list of possible reversals in the story, like things where everything will just change because of this certain reveal or this certain action. Then I start really digging into the character because, to me, I don't care what the story is.
You need to look like a lady at the Oscars. Otherwise, Joan Rivers will tear you apart. Then again, you aren't really anyone till Joan Rivers tears you apart.
Do what you will. Even if you tear yourself apart, most people will continue doing the same things.
Most people hoard their money - just keep it in the bank. Bitcoin will really take off when people start spending it, creating a velocity of money.
People are fed up with the politics where candidates just rip each other apart and then the voters lose in the end because no one really knows what anybody stands for.
What I have found is, so much of that is like a Chinese finger trap: the more you play to the dark, the more you will get trapped in the dark, and if you just play to the light and focus on the people that don't misunderstand you and focus on the audience that does celebrate you and focus on the people who aren't trying to tear you down, all that other stuff eventually erases itself because it has nothing to feed on.
But what we're really trapped by is perceptions. You think you need to lose weight for someone to love you. I think if I gain weight, no one will love me. What we really need is to just stop thinking of ourselves as bodies and start thinking of ourselves as people.
I don't think confidence has ever really been one of those things that came naturally for me. If people thought I was confident, it was really just the way I masked my insecurity, because I didn't want people to really get to know the real me.
I never think about the numbers. I've never played tennis for the money, because as long as I enjoy it, and I can achieve anything, then the money will come. I know that things will start coming up, many more people will want to start getting involved. But I just want to keep my head cool, and I want to leave (business) to the people who take care of business. I just go out and I just play tennis.
If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.
Too many people who don't have anyone they care about. Who think if they don't love anyone else then they're free to do whatever they want. They think they have nothing to lose, and that makes them stronger. If you have nothing to lose, there's nothing you really want, either. You're full of confidence, and look down on people who lose things, who want things, who are happy, or sad sometimes. But that's not the way things are. And it's just not right.
Pissing people off doesn't mean you're doing the right things, but doing the right things will almost inevitably piss people off.
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