A Quote by Paul Feig

So many stars who have shows are intimidated by having people around them be funnier than them. It's always the unsuccessful ones. Look at Seinfeld - he's great because he let everyone be hilarious.
I always loved that tragic look, the bigger-than-life women. They always have those big glasses and scarfs on, and doctors and nurses always around them. You felt sorry for them, but they had their lips together, no matter what was happening to them. They always looked like movie stars.
I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny. And I discovered a lot of great writers that went on to do a lot of great shows like 'Seinfeld,' 'Friends,' you know, 'Three and a Half Men.'
Many successful people are no more talented than unsuccessful people. The difference between them lies in the old axiom that successful people do those things that unsuccessful people don't like to do.
Books can be passed around. They can be shared. A lot of people like seeing them in their houses. They are memories. People who don't understand books don't understand this. They learn from TV shows about organizing that you should get rid of the books that you aren't reading, but everyone who loves books believes the opposite. People who love books keep them around, like photos, to remind them of a great experience and so they can revisit and say, "Wow, this is a really great book."
I look at Seinfeld - he looks like he's having fun. He's just enjoying being Jerry Seinfeld, you know, on 'Seinfeld.'
I try and take everyone's ideals, common morals, flip them around, make people look at them differently, question them, so that you're not always taking things for granted.
I know the von Trapps well. I've known them for many years and they are very reluctant to let anybody on to their property or to let anybody film them. They are constantly getting requests from all around the world to do shows about them or having news stories done and they're very private people.
To me, there's nothing funnier than funny people in peril, because it's just a great springboard for people to be at a heightened emotionality and things get funnier.
I love my sculptures, and I was lucky I had them for 50 years because no one would look at them, and I really liked having them around.
I love my sculptures, and I was lucky I had them for 50 years because no one would look at them and I really liked having them around.
I watched 'The Sopranos,' I saw a couple of episodes of 'Mad Men.' I loved 'Seinfeld.' In fact, I got some CDs of 'Seinfeld.' 'Seinfeld' was hilarious. Oh, boy. The Nazi soup kitchen? 'No soup for you!'
I don't sit around wondering, 'Why am I here? Who made the stars?' I prefer to look at the stars and benefit from them rather than concern myself with how they got there.
Having my own gym is easier because I have my family here, my kids enjoy watching my practices and I like having them around. It's hard to go to other people's gyms because not everyone if as kid-friendly as I am.
Because of social media, we have a lot of personal essays floating around; you see them on Facebook: everyone's either reading them or writing them. Some of them are great; some of them are diary entries put forth as essays.
The thing I'm obsessed with is really great bad paintings. I have a storage locker full of them and I want to give them their own museum. You don't even know who these artists are - you can buy them at garage sales, antique stores and places like that. They're brilliant because they were done with the intention of being great, but the artist sort of made a wrong turn. Some of them are hilarious and I can't get enough of them.
I always tried not to be too mean, but my problem is that the people I tend to find hilarious don't usually have senses of humor. So interacting with them is a little bit of an awkward engagement, because I can't really make them laugh, on top of which I've been doing an impression of them.
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