A Quote by Priyadarshan

Ideally, I like to make my films within 30-40 days, because if it takes longer than that, everyone involved loses interest. — © Priyadarshan
Ideally, I like to make my films within 30-40 days, because if it takes longer than that, everyone involved loses interest.
I am amused by cricket because it seems to take longer than baseball and I like that. It seems like a sport I could have made up it - it takes several days to play and everyone wears sweaters. I can't confess to knowing what's going on at all.
Everyone talks about 40 like it's massive, but I looked at Joanna Lumley at the Ab Fab premiere the other day, and she looks amazing at 70 - that's 30 years older than 40, which sounds ridiculous. The number doesn't matter; it's what's going on for you.
Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.
I've never done a movie that's shot more than 40 days because I just don't do those kinds of films.
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.
If it takes 30 days of rehearsal, you better ace all 30 of those days. When it's game time, you're ready to play ball.
The only way to win tournaments is with the short game. Over half your shots out here are within 30 or 40 yards. Ballstriking is where I'm trying to improve, yes, but more to eliminate big numbers than make birdies.
In a couple of days, it will be 40 days, 40 hours, 40 years in the desert - 40 is fraught with meaning and symbolism.
Even American artists are terrorized by market forces. If one can't see the films, my wings are clipped. I am no longer concerned about this, because I'm focused on making films. Perhaps one day someone who discovers sunken treasures will reexamine my 35 or 36 films - I hope it will be 40 or 50 before I die.
The rules themselves are clear enough, and within everyone’s reach. But many forces, both within ourselves and in the environment, stand in the way. It is a little like trying to lose weight: everyone knows what it takes, everyone wants to do it, yet it is next to impossible for so many.
You can cut down a tree with a hammer, but it takes about 30 days. If you trade the hammer for an ax, you can cut it down in about 30 minutes. The difference between 30 days and 30 minutes is skills.
Everyone takes pause at 40. It's the age you have to assess everything in your life. It's the fictitious marker that's always coming up when you're young. The world really does look at you to kind of have it together by 40, and be successful by 40. Whatever success means.
The job is exactly the same, it just goes on for longer on TV. Most feature films are 35-40 shooting days. This has 10 parts, with different directors for each block. We shoot with two, sometimes three cameras.
The critical element in meditation practice is beginning again. Everyone loses focus at times, everyone loses interest at times, and everyone gets distracted over and over again. What is essential, and also incredibly transforming, is realizing that we have the ability to begin again, without blaming or judging ourselves, without thinking we have failed, without losing heart, we can, and need to, constantly be beginning again.
It's funny, because when you're younger you're in a rush to be 18 or 21 or whatever. But then you hit 30. And now, the days go by like hours. You think, 40, man, this could be the halfway point. It could be the three-quarters point, you know? Who knows?
To shoot a movie that takes place in three decades in 30 days is a lot on the hair and make-up team.
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