A Quote by Pat McGrath

When I was a child, the world of makeup was so different. There wasn't the wide range of shades available for darker skin tones like there is now. — © Pat McGrath
When I was a child, the world of makeup was so different. There wasn't the wide range of shades available for darker skin tones like there is now.
I've always had trouble finding makeup in darker shades.
There is a wide range of opportunities for us and we see a main part of our strategy as being a company that supplies products across a range of different end applications and indeed we have quite a wide product portfolio which we enhance each year.
The growth of a company like ours tends to be a relatively steady because, like some of the other successful mixed signal companies, we have a wide range of products servicing a wide range of end applications.
I really like black. I love wearing black, different aesthetics and shades. I like earth tones. Those are my go-tos.
My type, which I didn't realize until somebody pointed out to me, apparently is brunettes with darker skin tones, but that is about it as far as aesthetically.
My type, which I didnt realize until somebody pointed out to me, apparently is brunettes with darker skin tones, but that is about it as far as aesthetically.
To be honest, even I was tanned three shades darker in 'Love Sonia.' The fact that people were able to connect to my character was very important. Why should we not have that kind of makeup?
I was born on the fairer side, but I've always been fascinated by dusky and dark tones. So, when the makers of my films asked me to go a few shades darker, I didn't think twice. I am not doing anything extraordinary, but I want to break cinematic notions about outwardly appearances.
Nowadays blues in particular has a wide, wide, wide, wide net of everything that's called blues. I think if somebody's coming to it in the last ten years or whatever, or even fifteen years, what their experience is what is called blues is different from mine. I have to expand my range of what's been called the blues. I think somebody who's new to it would have to go back and to see what is called blues now, where it came from. If that makes sense.
When I started, there was only one other girl that I could name that was even close to my shade. I didn't understand why there weren't more black plus-size models with darker skin tones. It feels like the final frontier of beauty is to be black, to be plus, to have natural hair.
I guess I'm lucky that I've been able to play a wide range of parts and a wide range of types of productions - I haven't felt much typecasting.
The jungle which is presided over by Kudu, the sun, is a very different jungle from that of Goro, the moon. The diurnal jungle has its own aspect--its own lights and shades, its own birds, its own blooms, its own beasts ... The lights and shades of the nocturnal jungle are as different as one might imagine the lights and shades of another world to differ from those of our world.
Initially I objected to the Data makeup. I said, "Why do I need this makeup? Why can't I just look like me?" In fact, I said to Gene Roddenberry, "Don't you think that by this time in history, they would've figured out how to make skin look like skin?" And he said, "What makes you think that what you have isn't better than skin?" And I went, "Um, okay."
Personal prejudice: Hispanic and Latino women with blond hair look like hookers to me, no matter how clean or cute they are. Somehow those skin tones that look so good with dark, dark hair just don't work for me with lighter shades.
I want to offer a wide range of classic and contemporary bridalwear to suit all personalities, readily available to try on.
I really like Neutrogena for skin care and CoverGirl makeup. I can't stand heavy makeup. I feel like my skin can't breathe, and CoverGirl is really light.
This site uses cookies to ensure you get the best experience. More info...
Got it!