A Quote by Rajesh Roshan

The track 'Fire' is quite different from the other songs in 'Kites.' — © Rajesh Roshan
The track 'Fire' is quite different from the other songs in 'Kites.'
When the winds of adversity come, remember one thing--kites fly the very highest against the wind. Kites don't fly in spite of opposition, kites fly high because of opposition. In fact, they couldn't fly without opposition.
You always have your complaints about your own music. I never finish a track because I decided to finish. It's like, I just finish a track because I'm tired of it, you know? So you could be finishing songs forever, I think, if you are quite a perfectionist.
You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
Used as kites, these rigid stable aeroplanes are superior to the very best cellular kites I can make; they are lighter, pull harder per square foot, attain a greater angle of elevation, and have fewer parts.
I'm not like other writers. I'm not hung up on using my own songs. In fact, my sister Bunny always tells me I sing other people's songs better than my own. She says I loosen up and give the songs a different feel.
Even if my songs are quite sad or quite dark, I don't want my songs to make people sad. It's very important for me that all my songs have some kind of hope or light.
When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
When I first started making music, it was learning other people's songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
There is fire and fire: The fire that burns and the fire that gives warmth, a fire that sets a forest ablaze and the fire that puts a cat to sleep. So is it with self-love. The member that once seemed one of the wonders of the world soon becomes as homely as an old slipper. Mathew and himself gradually ceased to excite each other.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
I’ve flown kites before and I know – sometimes they’re gone forever, and sometimes they’re just waiting in the middle of the road for you to rescue them. Kites can be lucky or they can be ornery. I’ve had both kinds, and a lucky kite is definitely worth chasing for.
Growing up in the sport, I've been able to separate what happens on the track with what happens away from the track. That track is totally different. I'm not the same person when I put that helmet one.
Music and songs are written at different periods of time, at different times in your life. They reflect the feelings you have and to be honest, I quite like having positive emotions.
I like to keep the big dynamic changes between my songs, so that album songs feel radically different from each other.
Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
In track years... track is not like other sports. You do have track athletes that stay in this sport until, like, 35, 36, but I think when you get to 28, it's really difficult.
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