A Quote by Renny Harlin

I loved cutting together simple commercials about margarine or soft drinks - all kinds of silly products - but I tried to make the commercials different. — © Renny Harlin
I loved cutting together simple commercials about margarine or soft drinks - all kinds of silly products - but I tried to make the commercials different.
Television screens saturated with commercials promote the utopian and childish idea that all problems have fast, simple, and technological solutions. You must banish from your mind the naive but commonplace notion that commercials are about products. They are about products in the same sense that the story of Jonah is about the anatomy of whales.
I loved doing commercials when I did commercials. I made a living. I worked in front of a camera. I could do plays for free.
I think the concept of commercials, for example, I have had offers to do songs in different commercials, and it is not what I have liked.
The first step toward maintaining autonomy in any programmed environment is to be aware that there's programming going on. It's as simple as understanding the commercials are there to help sell things. And that TV shows are there to sell commercials, and so on.
Even when I was really young, I hated doing commercials, because I would say, "That's not real acting." And it's not. It's embarrassing what they make little kids do in commercials.
I don't want to sound conceited, but people were intrigued with me and thought I was crazy and the word got around about this wacky disc jockey who could do 10 commercials in 10 minutes - what I did was make fun of the commercials.
I have to entertain myself. An easy way to explain it is I worked in NY since I was five-years-old doing modeling and commercials, and that's a completely different world than in California where I think there's different dreams and aspirations of maybe being a so-called 'star' and so forth. Here you do your work, whether it's theater or commercials.
I was making commercials. That's how I learned the craft. That was the marketing part of it: directing commercial for TV. It wasn't the most common thing to become a filmmaker in Greece. I started by saying I was interested in marketing and have a proper job in advertising and commercials. Basically, I studied film to learn how to do marketing, and commercials. As I studied film I learned I'd be interested in making films instead of commercials.
I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.
Nobody watches commercials if you ask them. Nevertheless, they watch commercials.
I had done a few commercials here and there, but I was never super lucky in commercials.
The first part of my career, how I was paying the bills was commercials. I was just doing tons of commercials.
When I was little, I didn't even know what acting was. But I was in commercials - baby toy commercials like Fisher-Price.
It was always fun auditioning for commercials, because that was the beginning of my career, and me figuring out how I was going to portray myself as an actress vs. a model, because models were very different back then in the early '70s. They didn't usually hire models for acting. But I acted first in commercials and then I did modeling, so it was a little different.
When I moved to New York I started to do a lot of TV commercials. It just kind of naturally evolved from still photography to commercials.
It is vital that there is a narrator figure whom people believe. That's why I never do commercials. If I started saying that margarine was the same as motherhood, people would think I was a liar.
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