A Quote by Rick Famuyiwa

There are constant challenges about what's 'mainstream.' These kids in 'Dope' are as mainstream as the kids in 'Superbad' or 'The Breakfast Club.' — © Rick Famuyiwa
There are constant challenges about what's 'mainstream.' These kids in 'Dope' are as mainstream as the kids in 'Superbad' or 'The Breakfast Club.'
I mean, maybe I'm alternative in that my stuff's not mainstream, doesn't want to be mainstream, could never be mainstream.
I mean, when we did 'Families At War,' on Saturday night prime time, people said we were mainstream then. But it wasn't in the least mainstream. The fact that we got that on BBC1 at that time with those ridiculous things, that's as mainstream as we get. We do what we do and people can think that it's mainstream or avant-garde.
What I've become good at is bringing things that aren't necessarily mainstream to the mainstream. What I did see on Twitter was a potential for mass publication; it's a mainstream consumer broadcasting device. It transforms customers and companies. You have to be transparent or you fail.
Mainstream's never appealed to me, really. I mean, I've become popular over the years in certain areas. But mainstream, you know, I would rather the mainstream come to me.
I get up with the kids, get them ready for school and make everyone breakfast. Breakfast during the week consists of some sort of cooked grain with dried fruit, nuts and almond milk; I'm a fanatic about the kids eating their porridge!
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
I'm not mainstream at all. I can make mainstream music and I make music for mainstream artists, but me, myself, I'm not mainstream.
As a mom, I understand how important it is to ensure kids start their day right and always make sure my kids have a nutritious breakfast. One in five U.S. children live in homes where food is not always available, which is why I partnered with Kellogg's on their 'Share Your Breakfast' campaign, which provide breakfasts to kids in need.
I consider 'Dope' a part of the new mainstream.
In the late '90s, R&B was dominant in the radio, and the white kids were taking it mainstream.
Poetry is not mainstream, but then neither is serious fiction, really. But I don't think there's a lot to worry about in this particular 'problem'. Why does art have to be mainstream to be significant?
As I see it, mainstream comics now speak only to the hardcore few who stayed; conversing in a weird, garbled, visual pig latin only they can understand - rendering the term 'mainstream' a hollow joke - while the true mainstream, the other 99.9% of the populace, find enjoyment elsewhere.
We try to stay on the edge of the mainstream and look at what the most aggressive young kids are running toward.
The counterculture has nothing to do with Dolce & Gabbana having a 'Hippy Summer' or something. Street kids, and kids who want to live in any sort of counter-cultural experience other than what's being presented by the mainstream media or political climate, or 'normal' cultural climate, are never going to look like that.
There's the exciting part about comedy - if you catch an act just before they go mainstream, that's the best. After they hit the mainstream, everything gets watered down a little bit.
I felt like I was Ferris Bueller. I wanted to be those kids in 'The Breakfast Club.'
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