A Quote by Robert Conrad

There's a gray area there that I'm satisfied is not gray. — © Robert Conrad
There's a gray area there that I'm satisfied is not gray.
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
I’m sure there’s some self-help cheese-ball book about the gray area, but I’ve been having this conversation with my friends who are all about the same age and I’m saying, ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult the medium temperature, the gray area, the place between black and white. That’s the place where life happens.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
War's not black and white; it's gray. If you don't fight in the gray area, you're going to lose.
I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
I've struggled with gender norms my whole life, always feeling like I wasn't black-and-white; I was in this gray area, and gray areas really scare people because you can't define them.
The gray silence, the gray waves, the gray wastes of the sea.
Glacier Gray is an unobtrusive gray that contrasts and enhances; bouncing off other shades without taking away from them as it slips into the background to allow other colors to take center stage. Nature’s most perfect neutral, Glacier Gray is a shade that is timeless. Quietly assuring and peacefully relaxing, Glacier Gray, is above all, constant.
In my teens I saw the world in only black and white. Now I know that most things exist in a certain gray area. Though it took a while to get here, I now call this gray area home. I once believed that participating in a capitalist economy would be the death of me, but now realize that agonizing over the political implications of every move I make isn’t exactly living.
In terms of the themes, I love gray areas. The show is really about what makes someone truly good or what makes someone truly bad, and are we either of those things? 'Loki' is in that gray area.
A gray flannel suit by Thom Browne or Tom Ford can be worn a billion ways. I'll wear a gray flannel jacket with a white shirt, gray flannel tie, beat-up fatigues, and a dress shoe or Carpe Diem boots.
For me, the summer will be pure gray - mother-of-pearl gray, very pale gray. To me, this is the big statement for summer. Then we have light blue, light turquoise, lots of pink.
When you're working on something where there's usually one sex scene in the film, it all gets a little bit of a gray area and people get a bit uncomfortable and awkward. You just get through it. But, it became very clear on this that that can't happen. There can't be any gray areas on this because there are actors and actresses coming in for a day or a couple of days, as well as people who are there regularly.
Failure assumes the world is black and white - no gray. I've come to find, it's all gray.
And I remember looking at Gray Davis and, you know, Gray is the consummate political operative.
Gray day. Everything is gray. I watch. But nothing moves today.
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