A Quote by Roman Coppola

As a director myself, you really appreciate collaborating with people who are trying to help you find what you need and what you want. — © Roman Coppola
As a director myself, you really appreciate collaborating with people who are trying to help you find what you need and what you want.
The director is the ultimate creative arbiter of what's going to happen. And as a director myself, you really appreciate collaborating with people who are trying to help you find what you need and what you want.
I learned that as a director, you're around all these talented people, so you have this window that all these really good ideas can come in to help your movie, so you're crazy to close them. You need to be inspiring people, engaging people. There are lots of people who are really good at their jobs but might not know or feel like they want to come up to people and get them to participate and want to do their best.
When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.
I can't do things by myself. I need a motivation, and the motivation is always the director's. I find my freedom inside other people's barriers. It's easier for me to find myself inside someone else's tracks.
Sometimes, when actors reach out to their characters, they're nowhere in sight. They need to find something inside of them. And then the characters are right there. As a director, I want them to find the character that's already inside them, instead of trying to manufacture or manipulate or make something up. That's not really honest or true.
Music is infinite and personal. I don't want to put myself in a box. I want to try everything and I'm trying everything. I'm really trying to write what's in my heart and what I feel without a lot of help in that department. It's about being brave.
I'd like to be a director who gives my actors complete freedom while collaborating with them to find performances.
You can find a mentor; you have to ask questions, you have to show interest in what the other person is doing. You have to have curiosity - I think that people appreciate that and will want to help you.
I really appreciate it when people say "no" to me. I want people to understand that I'm totally supportive of what it is they're trying to do as long as we're all on the same team.
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
I really do pride myself on being able to help other people tell their stories and bring out the best in them. But I still, every song I'm writing, I still need to relate to it. I still need to find my true self in it, or else it'll feel dishonest. I mean, everything has a queer meaning as far as I'm concerned.
I don't really need a lot of help from a director.
That's how I am as a director - if somebody does a really good take, I can't help it, I'm not even aware of it. Actors really, really need positive reinforcement.
I find the sort of unwitting European American outsider who wants to come to Africa to help is a very problematic construction. It's problematic because you don't want to tell people don't aid, don't help, when people feel a need to.
I often find myself listening to a record because a lot of people or magazines have told me it's good and I'm supposed to like it, and I try to stay in touch with what's happening and I'm also a fan of music. I find myself trying to like something that I really don't think is that great.
I really want to help people. I really want to give somebody that hope that they need to keep going.
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