A Quote by Ron Howard
Can you imagine the first time they figured out how to mechanically raise somebody up through the stage and make them appear, or drop them down on a rope or a wire? It blew everybody's minds, I'm sure.
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That is what I always tell service clubs: If you hear of somebody who is very young and talented, pick them up and give them that little assistance to make sure that they get to the professional stage.
As an actor you are supposed to do some kind of action in case it is required. I remember this sequence where I was pulled up by a wire 100 ft above the ground. This was my first time that I was hung with a wire and I was a bit scared. But I must say it was a very beautiful experience looking down at everybody from a height.
I think, on any given day, somebody could help out a homeless person and cuss out somebody that cut them off in traffic, and I think that everybody has that inside them: it's just how you live that balance - so I think everybody is 'Wretched and Divine.'
Many times, when you go to arrest somebody, they pull their gun, and here I am, a federal agent, telling them to drop their gun. But the gun is like that. I give them a split second to drop it, and they drop it. I could have shot them - who is going to complain?
If you can't bring them down economically you kill them, that's how you promote equality. You build a wall to keep them in the country. Socialism, communism, build walls to make sure people can't get out. In a country that's communist and builds a wall, there's nobody trying to get in. Works every time it's tried.
I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.
Telling your story out loud is the way human beings communicate. We don't normally think up words, translate how to spell them and then move our fingers up and down over this randomly arranged set of keys to make the same letters appear on a screen.
The problem has to be answered by means of art, because you can't blast them with bliss. Tat freaks them out even more. So instead, you have to have an artful way of approaching them. You do a dance for them, you get them to imagine being interconnected, and to imagine being free of their suffering, and not so self involved, through art that draws them out. Then you, and they, are all established in what's called a Buddha-verse, or Buddha-land
I've moved a lot of my students into a high state of mind, but they don't do the things I have shown them how to do. So then, they drop down into a lower stage of attention.
With the artists, I don't teach, I coach. I can't tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That's all I wanted in a professor.
Delving deeper into character's motivations one thing I always find helpful is to imagine the person as a child, imagine them at a very early stage, prior to having all of the things taken away from them, or all of the habits put onto them that they end up having, and then going from there.
I am convinced that every effort must be made in childhood to teach the young to use their own minds. For one thing is sure: If they don't make up their minds, someone will do it for them.
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to make them laugh. They can't laugh at someone they're looking up to.
Therefore it is unnecessary for a prince to have all the good qualities I have enumerated, but it is very necessary to appear to have them. And I shall dare to say this also, that to have them and always to observe them is injurious, and that to appear to have them is useful; to appear merciful, faithful, humane, religious, upright, and to be so, but with a mind so framed that should you require not to be so, you may be able and know how to change to the opposite.
Take those kids and raise them up, teach them how to drink out of a righteous cup.
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