A Quote by Rochelle Aytes

Thank God for television. I've been able to consistently work in television even when people say, 'Oh my God, I haven't seen you since this film or that project.' At least I'm working. It's very difficult to get that next movie role. I'm grateful to have the television world accept me.
The world went tilted in a lovely way - suddenly, television was no longer television. It was like, 'Oh, my God, this is the new world!' I got to work with horses and cannons, and fight sequences and castles.
You can't really gauge the difficulties of television. There's difficulties and joys that happen with an amazing, great team, when one is working. Television can be a very frustrating job for almost anybody working in television, because you're shooting episodically, and you don't know one scene from the next, and maybe they change around.
Television in America is so elaborate. There are so many remote cranes, and they have all the toys to play with. The directors are really good. They really work with you. So, I'm not really on set thinking, "Oh, my God, this is television. It's very different."
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.
Having watched television, I would kind of play the role or picture myself on a television show or something like that. That's maybe always been true of a certain type of kid, even before television maybe, but I think it's been amplified to an insane level.
When I first started making films 30 years ago, people would comment that I was a woman. But strangely, when I was in television, no one ever mentioned that I was a woman. Maybe it was because television and film were different. There were more women working in television than men. There was no split in terms of work - everyone was considered equal
Whenever you're doing film for television and you look at the budget that you have, which is much more constricted than a movie budget, you think, "God, are they going to be able to do what they say they are?"
Thank God for theater and film and television and my very, very, very lucky life.
In 'Chernobyl,' which was created and written by Craig Mazin and directed by Johan Renck, the material culture of the Soviet Union is reproduced with an accuracy that has never before been seen in Western television or film - or, for that matter, in Russian television or film.
I wouldn't have the life I have without television. I wouldn't be looking out my apartment window onto the East River; I wouldn't be able to afford to have my mother with me this summer. So television has been very good to me.
I have been working in television for quite a long time. In television, the writer is the constant, and the director is rotated in and out. I am very use to dealing with people's methods. And perspectives.
I absolutely love television, and I don't mean to be vulgar, but as I keep having to explain to people from the movie industry, I get more power and more money doing television, so why on earth would I do a film?
I hate to say this about television, since I have a television show, but it's just mind-numbing to me.
It makes sense that it's so different from film and television, because it's so in-depth. As actors, when we're in film or television, we can have transcendent moments and we get to work with really creative and incredible people, but it's such a small percentage of your time that's about your process.
The letters that say 'I'm getting the messages you're sending me through the television screen' are not great. But those are few and far between, thank God. I get wonderful letters, and people send me artwork.
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