A Quote by Ray Lewis

Let me explain my job very simply: My job is to line up five, seven, 10 yards in front of a man and run into him at full speed. — © Ray Lewis
Let me explain my job very simply: My job is to line up five, seven, 10 yards in front of a man and run into him at full speed.
I couldn't get myself to read the want ads. The thought of sitting in front of a man behind a desk and telling him that I wanted a job, that I was qualified for a job, was too much for me. Frankly, I was horrified by life, at what a man had to do simply in order to eat, sleep, and keep himself clothed. So I stayed in bed and drank. When you drank the world was still out there, but for the moment it didn't have you by the throat.
All I can tell you is I played with Johnny Mitchell. Johnny Mitchell was one of the greatest athletic talents I ever played with, but I could never trust him. When the game was on the line and he was supposed to run an out route at 10 yards, he would run an in route at eight and slide to the outside and scream to me that he was open. But it was how he got open that really made me uncomfortable in trusting him.
Crime is a job. Sex is a job. Growing up is a job. School is a job. Going to parties is a job. Religion is a job. Being creative is a job
I developed my training routine going into my senior year at Jackson State. I found this sandbank by the Pearl River near my hometown, Columbia, Miss. I laid out a course of 65 yards or so. Sixty-five yards on sand is like 120 on turf, but running on sand helps you make your cuts at full speed.
I had a job to do in the ring, and the businessmen around me had a job to do outside the ring, I did my job by beating up most of the guys they put in front of me and staying in shape, but the people I trusted didn't do their jobs.
I am a full-time mom; that is my first job. The most important job ever. I started my business when he started school. When he is in school, I do my meetings, my sketches, and everything else. I cook him breakfast. Bring him to school. Pick him up. Prepare his lunch. I spend the afternoon with him.
In high school, I started saving up to get a nose job, which is so ridiculous. I had this job at Tim Hortons, and I was trying to save up $10,000 for a nose job.
My first job in Brazil was actually to develop a way to improve the readability of billboards, and based on speed, angle of approach and actually blocks of text. It was very - actually, it was a very good study, and got me a job in an ad agency. And they also decided that I had to - to give me a very ugly Plexiglas trophy for it.
Loving you is a full-time job. It's a great job, don't get me wrong. It's the best job in the universe. But it's not easy.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
No one had more impact on my career than Gil Hodges. Playing for him was a learning experience, and he was a tower of strength. Not everbody liked him, but everybody respected him. He went about his job in a very professional manner, and it caused me to do the same with my job.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
When you makes movies, you usually make good money. But it is also a very tough job. Once you enter the public's eye, you have to be aware that you give up a huge part of your own life. And it is never a job from nine to five.
He seems faster too me. He could get seven to 10 yards in a pretty comfortable fashion. I went up to our defense and said `Hey guys, that guy is pretty fast.'
There are some older workers - probably a lot - who simply don't have the skills or the wherewithal to do a certain kind of job. There, it's up to the worker to go out and bring themselves up to speed and do it in an aggressive way, do it as quickly as possible.
I once waited on a group of 10 people, and one guy collected the money from the check and tipped me $20 on $600. I told him in front of everyone, 'Jews like you give Jews like me a bad name.' That was my last waitressing job.
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