A Quote by Rachel Morrison
I was probably five when I first picked up a camera. My mom had an Olympus OM-10 that she carried around to document our family photos. And I just always loved it.
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Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
Just recently, the administration of Barack Obama, which has broken all sorts of records in regards to deportation, picked up a Guatemalan man living here [in U.S]. I think he had been living here for twenty-five years, had a family, a business, and so on. He had fled from the Mayan region and they picked him up and deported him. To me, that's really sick.
My mom is a huge woman of worth for me because she's been my idol my whole life. My mom was someone who juggled everything. She had her own career, she raised five kids, she was Superwoman... and she was never satisfied doing just one thing because... she probably just had too much energy.
We're just a big media family. My mom is always sending us articles throughout the day. My husband now works at Facebook... so it's just a very high-paced media culture, our texts. It's links and photos, and all hours of the day, because my dad, my brother, and I are night owls, and my mom and my husband wake up early.
I just picked up a lot of classic-rock, melodic influence from my mom, music that she listened to, like 10,000 Maniacs, Led Zeppelin, REO Speedwagon and Yes.
When I was 19, I picked up an old, tiny, automatic Yashica camera and I just started shooting. We didn't have iPhones back then, we didn't even have cell phones. I loved having a camera in my hand.
When we launched our [ Vogue] site around five years ago, I had already started this process on paper. We are now building an enormous portfolio of photos, we've uploaded two million photos and we have three people that review them.
I'd taken 'Om Shanti Om' to Japan and they loved it because they just love the not holding back of emotions.
I was on the yearbook staff, so I would take out film cameras and Nikons and take photos around school and at sporting events and things like that. We had a darkroom as well. I just loved it. I also saved up for a video camera to video my friends and cut and paste the videos together and I gave them to all of my friends for graduation.
Everything started with my mom. When I was five, she asked me if I wanted to sign up for soccer, but I had some pretty wild contract demands. 'I'll only play if you're my coach.' So my mom went to the library and brought home a bunch of books on how to coach soccer, and that was it. She was my first manager.
My mom had always been big on education. She was the first woman in our family to go to college, and she often reminded me that I needed to go to college if I wanted to really make it in life.
My grandmother, who picked cotton, and my mom, who picked cotton as a child - my grandmother had a work ethic. She had 13 children that she had to raise and ended up for a time moving into the projects, but because my grandmother had a work ethic, she didn't stay in the projects... that's not how she wanted to raise her children.
My mom knew that I was gay. So she just came up to me in the kitchen one night, and she said, 'Justin, are you a homosexual?' And I said, 'Yes,' and that was that. She took all the steps, she went to talk to a family counselor beforehand to see how she should bring it up, and now my mom's my biggest fan.
I first got into acting when I was 14, coming back from a junior high school basketball game. My mom picked me up and she had been mentioning, prior to that, this community production of 'Godspell', a couple towns over. I was reluctant, at first, and she bribed me with some great dinner that was in that town, neighboring the theater.
It was just normal for me growing up with a family member with severe Down Syndrome. It was completely normal. She was just Auntie Linda. I loved her and she loved me. She had a spirit that was just positive. For me it taught me tolerance and acceptance of all human beings.
I was always a person on my mother's hip in the kitchen. My mom really wanted her kids at her side as much as possible, and she worked in restaurants for over fifty years. And my grandfather had ten children, and he grew and prepared most of the food. My grandmother, on my mother's side, was the family seamstress and the baker. So my mom, the eldest child, was always in the kitchen with my grandpa and I was always in the production and restaurant kitchens and our own kitchen with my mom. And it's just something that has always spoken to me.
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