A Quote by Sarah Helen Whitman

Beside the brook and on the umbered meadow, Where yellow fern-tufts fleck the faded ground, With folded lids beneath their palmy shadow The gentian nods in dewy slumbers bound.
Tis a morning pure and sweet, And a dewy splendour falls On the little flower that clings To the turrets and the walls; 'Tis a morning pure and sweet, And the light and shadow fleet; She is walking in the meadow, And the woodland echo rings; In a moment we shall meet; She is singing in the meadow, And the rivulet at her feet Ripples on in light and shadow To the ballad that she sings.
If I find a green meadow splashed with daisies and sit down beside a clear-running brook, I have found medicine. It soothes my hurts as well as when I sat in my mother's lap in infancy, because the Earth really is my mother, and the green meadow is her lap.
And the blue gentian-flower, that, in the breeze, Nods lonely, of her beauteous race the last.
I sit beside the fire and think of all that I have seen, of meadow-flowers and butterflies in summers that have been; Of yellow leaves and gossamer in autumns that there were, with morning mist and silver sun and wind upon my hair.
I'm sure the red fern has grown and has completely covered the two little mounds. I know it is still there, hiding its secret beneath those long, red leaves, but it wouldn't be hidden from me for part of my life is buried there, too. Yes, I know it is still there, for in my heart I believe the legend of the sacred red fern.
The fire which seems extinguished often slumbers beneath the ashes.
Because half a dozen grasshoppers under a fern make the field ring with their importunate chink, whilst thousands of great cattle, reposed beneath the shadow of the British oak, chew the cud and are silent, pray, to not imagine that those who make the noise are the only inhabitants of the field; that, of course, they are many in number; or that, after all, they are other than the little, shriveled, meagre, hopping, though loud and troublesome insects of the hour.
I am not bound for any public place, but for ground of my own where I have planted vines and orchard trees, and in the heat of the day climbed up into the healing shadow of the woods.
And the yellow sunflower by the brook, in autumn beauty stood.
There is something in me maybe someday to be written; now it is folded, and folded, and folded, like a note in school.
Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably
I don't need a friend who changes when I change and who nods when I nod; my shadow does that much better.
One cannot love a world. It is too large. But a fleck of ground so far as his eye can see, one may hold precious above all.
When Lawrence first found a gentian, a big single blue one, I remember feeling as if he had a strange communion with it, as if the gentian yielded up its blueness, its very essence, to him. Everything he met had the newness of a creation just that moment come into being.
I like the Bible folded between lids of cloth, or calfskin, or morocco, but I like it better when, in the shape of a man, it goes out into the world-a Bible illustrated.
Fame stole my yellow. Yellow is the color you get when you're real and brutally honest. Yellow is with my kids[...]The bundle of bright yellow warming my core, formerly frozen and uninhabitable[...]They got yellow from me, and I felt yellow giving it to them and it was all good[...]So, why am I leaving my show? It took my yellow. I wanted it back. Without it I can't live. The gray kills me.
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