A Quote by Satish Kaushik

Brick Lane' is actually a place in London where many Bangladeshis live. It is about one such Bangladeshi immigrant family. — © Satish Kaushik
Brick Lane' is actually a place in London where many Bangladeshis live. It is about one such Bangladeshi immigrant family.
Every immigrant family, it seems, has someone who does not belong in the new country they have come to. It feels like permanent exile to that one brother or wife who cannot stand a silent fate in Boston or London or Melbourne. I’ve met many who remain haunted by the persistent ghost of an earlier place.
I loved being in London. Always walking everywhere, always out and about and always at markets, walking around Brick Lane and Covent Garden and Soho.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
If I didn't live in London, I would live in Glasgow. I love the colour of the brick and the black ironwork. I think it's got such atmosphere and is extraordinary. I met great people there.
London is such a great place, and at White Hart Lane, I feel just like home.
I have a few homes. I have my family home in Adelaide where my parents and my brothers and sisters are, and I have a few friends and my place where I used to live in Sydney, and then my husband and our family in London, so... I'm from everywhere and nowhere.
We spent four days filming in a helicopter. I had never seen London from that viewpoint - you get a sense of how big it is and how easy it is to get lost. There was one day when we couldn't find Brick Lane: we spent 25 minutes looking and then realised it was directly below us.
I don't live in London. I live in the place that I sing about.
So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.
Too many of our immigrant communities have been forced to live in fear, uncertain about their futures.
This London City, with all of its houses, palaces, steam-engines, cathedrals, and huge immeasurable traffic an tumult, what is it but a Thought, but millions of Thoughts made into One-a huge immeasurable Spirit of a Thought, embodied in brick, in iron, smoke, dust, Palaces, Parliaments, Hackney Coaches, Katherine Docks, and the rest of it! Not a brick was made but some man had to think of the making of that brick.
Films like 'Road, Movie' and 'Brick Lane' add a lot to your resume.
On thinking about Hell, I gather My brother Shelley found it was a place Much like the city of London. I Who live in Los Angeles and not in London Find, on thinking about Hell, that it must be Still more like Los Angeles.
It is actually costlier to hire an immigrant. And yet the farm worker is almost invariably an immigrant. You can't pay an American to pick blueberries.
New York is not like London, a now-and-then place to many people. You can either not live in New York or not live anyplace else. One is either a lover or hater.
Weirdly enough, I live in London - was born there and have lived there all my life - but I hadn't made a film in London for a long time. I hadn't found the right subject. I liked going away, to some far flung place.
This site uses cookies to ensure you get the best experience. More info...
Got it!