A Quote by Satish Kaushik
Some of the corporate houses are using films as a means to market their brands. They are not concerned with the storyline. When it comes to big-budget films, simple storylines told with conviction are still the safest best.
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I love Sam Raimi. 'Evil Dead 2' is one of my favorite films. It's one of the best cheaper horror films I've ever seen. Horror films and suspense films can be made on a low budget without big stars and be very effective.
Alternate between short films, long form films, with or without stars, small budget or big budget films. Basically a filmmaker needs to be flexible.
The great thing about horror films is that they work on a low budget. The genre is the star. You don't need big movie stars, and I actually think a lot of times that the best horror films are the low budget contained ones.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
When I was a kid, I wasn't looking at the small-budget films myself. I was looking at 'James Bond' and all the major films, so I still have that energy. I still love those films.
I do endorse brands: brands that I believe in individually, brands that I use, brands that I am proud to sell. But I wouldn't do that for my films because that's something I do separately. What I do with my films is something I am extremely passionate about.
There are two types of films - one made by the big-time producers, the other is low budget stuff made by some producers who make films for the heck of it, they complete their films for small amounts, sell it at low costs with almost no publicity.
Usually the films that I do are released theatrically in foreign markets. In the U.S., they're either picked up as HBO premier films or Showtime first-runs. In today's market, in America, you need at least $50 million for your budget to go to the big show, and I'm not quite there yet. But keep watching - maybe someday I will be.
It's been very much in the blood since I started imagining films or shooting with 8mm when I was a kid. I made some films and thought about films, but then I went into writing. Becket is something that's definitely on the cards. We have to see where that fits in the schedule, because it's a big picture and I have a lot of writing obligations at the moment. I'm wary of anything with a budget over a certain amount.
I'm a big kid, I'm a kid at heart, so I still love the classic family films, such as the great Warner Bros film 'Willy Wonka and the Chocolate Factory' - not the remake, but the original. It's still one of the best movies, hands down, ever made, and of course that goes back to the ingenuity of the characters and the storyline.
The reach of big-budget films is bigger, but I have always loved doing films that I believe in.
As part of modeling, I have acted in the advertisement films of popular brands. Then I got some offers from films.
I am ably balancing big and small films. With every big film I do, I try to take up films that are high on content and small on budget.
Even American artists are terrorized by market forces. If one can't see the films, my wings are clipped. I am no longer concerned about this, because I'm focused on making films. Perhaps one day someone who discovers sunken treasures will reexamine my 35 or 36 films - I hope it will be 40 or 50 before I die.
I am glad that we can make bold films, different films within the commercial market and still do well.
When you're making under-million-dollar films, it becomes so much about actors' availability. When you're using big actors for small films, you're in second or third position to the big monoliths.
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