A Quote by Shweta Menon
I want to do a good, high-tech-commercial-action film. Something along the lines of Bollywood's 'Dhoom.'
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I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
In 2003, when I wrote the first 'Dhoom,' we were at the end of the curve of a certain kind of Hindi film, which was quite plastic. 'Dhoom' was unconventional then.
There could be more 'Dhooms' every couple of years. There are chances of 'Dhoom: 4' and 'Dhoom: 5,' if people want it.
The pursuit system is an ideal way to shoot action sequences. It enhances the picturisation and captures the scene so well that the audience can feel the thrilling speed of the chase sequence in the film. 'Dhoom 3' is the first Hindi film to use this technique.
My first film was more of a light-hearted chor-police drama. 'Dhoom 2' focused more on the love story of two unconventional people. 'Dhoom 3' too is different, I hope.
I was in a commercial when I was three. My godfather was a director and a producer of commercials. He took me in along with his kids and I couldn't remember my lines. I giggled my way through the commercial and they kept it.
Kollywood allots big budget only for commercial films. Bollywood film industry is straightforward that way. When compared to Bollywood, Kollywood is fake. They keep churning out the same films.
Film has lost something in the translation to high tech. It's become so super-real. It's with digital this and stereo that, and everything's like a CD.
Bottom line is, off-beat film or commercial films, Tollywood or Bollywood, it's the role that matters to me.
I want to do something in medicine, for sure. I don't know what, exactly, that entails, but something along those lines.
My audition for 'Dhoom Machale Dhoom' was the turning point of my life.
Avatar is the most high tech film in terms of its execution, dealing with essentially a very low tech subject; which is our relationship with nature...and in fact the irony is that the film is about our relationship with nature and how our technological civilization has taken us several removes away from a truly natural existence and the consequences of that to us.
Commercial film is a film that makes a lot of money, and I have very high hopes from 'Sonchiriya.'
One of the first jobs I did was a commercial, a local commercial on the Chinese channel here in Los Angeles, and the whole thing was in Cantonese, I think, and I didn't have any lines, but I was kind of the focus of the commercial.
Growing up, a film was an action film or it was a comedy or it was romantic, but you don't really see such stark lines between genres nowadays.
I want to do Hindi films, but a proper one and a good production. I'm even open to multi-starrers because those work better in Bollywood. But it should be with only Bollywood technicians, not the South Indian team. There's no point to my going to Bollywood if I work with the same artistes and technicians.
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