A Quote by Sergio Leone
It is hard to do a film that wants to say something because, unfortunately, most everything has been said.
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If you want to say something truly new, you must first know everything that has been said in the human history; not half, not ninety percent, but all that has been said! Only then you can say something new, if you can!
You can't ask me to explain the lyrics because I won't do it...I always believed that I have something important to say and I said it. That's why I survived because I still believe I've got something to say. ... I don't like overdubs, never liked them. ... The music business doesn't interest me anymore...Don't the people you're around shape the music, is that what you're saying? Everything does. ... I'm not joking around when I've said occasionally, trying to learn how to play a D chord properly has been a very big thing for me.
'Toofan Singh' is a Punjabi film based on a terrorist. The Pahlaj led CBFC banned the film because according to them the film glorifies terrorism, and that might give a wrong message to today's youth. However, the film has been released in many countries, and has been received warmly. Unfortunately, it never saw the light of day in India.
The most original of authors are not so because they advance what is new, but more because they know how to say something, as if it had never been said before.
I love Brooke Shields. She's developed into a wonderful actress and a wonderful person. We were all babies then in Brenda Starr. That's why when people say, "What did you think of that film?" I can't do what people do and say, "I hated it." I can't speak ill of a film, because it's so hard to make a film. Everybody thinks we're sitting by a pool peeling grapes, and this is not the case. It's hard. It's hard to do this stuff - and getting harder!
It's hard to explain," said Brutha. "But I think it's got something to do with how people should behave... you should do things because they're right. Not because gods say so. They might say something different another time.
Everything was a lot more challenging for me because of who my brother was. If I were in the film, someone would had said that I got the part because Eddie's in the film. If I wrote a script, folks would say that I didn't really write that: that Eddie did and I threw my name on it.
I'm not a real film buff. Unfortunately, I don't have time. I just don't go. And I become very nervous when I go to a film because I worry so much about the director and it is hard for me to digest my popcorn.
You have to remain strong. That's the kind of filmmaker I want to encourage. Orson Welles was the one who said, you know, you can learn anything you need to know about filmmaking- that's camera, sound, celluloid, video at this point- in four hours. It has nothing to do with anything. It has nothing to do with it... It has to do with what you want to say. If you feel you have something to say, you'll find that way to get it said, on film, and not let anyone or anything chip away at that or tarnish it, because it's something special and precious.
Most of my favourite moments in film have been when I've had an opportunity to say something from scratch, something original, whether I jotted down a few lines or it came out in improvisation.
God, please use me" is the most powerful affirmation we can say for an abundant career. It is the miracle-worker's prayer. Everybody wants a great job. Accept that it's already been given you. The fact that you're alive means a function has been assigned to you: open your heart to everyone and everything. That way you're a vessel of God. Don't worry about what to say or what to do. He'll let you know.
I think all of our guys work hard and want to improve. They want answers, and the film will be the answer. The coaches will collect it and get better. I do not think anybody wants a rebuilding year. That's not something that I have ever said.
At times, it is hard to say no to a film, but that happens, because you can't do a film due to date issues.
Every player that I've ever been around that's worth a damn wants to be challenged and wants to be pushed, and wants to be coached hard, and wants to be held accountable.
If Martin Luther King, Roy Wilkins or any of these compromising Negros who say exactly what the white man wants to hear is interviewed anywhere in the country you don't get anybody to offset what they say. But whenever a black man stands up and says something that white people don't like then the first thing that man does is run around to try and find somebody to say something to offset what has just been said. This is natural but it is done.
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
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