A Quote by Sofia Coppola
My dad told me, 'Your movie's never as good as the dailies and never as bad as the rough cut.
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I never watch the dailies. What I usually do is have a look at the rough or final cut, and I just get something from the story. Sometimes I start composing even before the director has shot anything. The dailies don't help me at all.
There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
'Con Air' was kind of a turning point for me, in my mind. I never shot anybody in that movie - I never did anything bad - because there were so many bad guys in that movie. I said, 'The hell with this, I'm just gonna be a lovable guy.' I'm like Steve McQueen in 'The Great Escape.'
I've never actually seen a 3-D movie. I've seen some dailies in 3-D and it kind of gives me a headache. But it looks really cool.
When I'm making a movie, I never watch the dailies. I see the movie once and that's it. It's really not about that for me. It's not about the externals. When I'm on a set, I don't want to see it. I want to be subjective in it. That's my habit now.
The same way that I know that I'll never do a movie as good or as celebrated as 'Forrest Gump,' I know that I'll never do a movie as bad as 'Bonfire of the Vanities.'
I do miss the idea of the crew getting together to watch dailies after work. I will usually get selected dailies printed on film especially for the early part of a shoot as HD dailies really don't tell me much photographically.
The fact that my dad was never around gave me a lot of determination. It really set this fire full of fuel, so to speak. It didn't matter what anybody was telling me, how many times I got rejected, because it was never as bad as being rejected by your own father.
I never saw my dad cry. My son saw me cry. My dad never told me he loved me, and consequently I told Scott I loved him every other minute. The point is, I'll make less mistakes than my dad, my sons hopefully will make less mistakes than me, and their sons will make less mistakes than their dads.
Though negative things have happened to me, God somehow let me know that becoming bitter was not the way to go. You die when you do that. Someone once told me that if you fully open your arms to receive love, you'll get some scratches and cuts on your arms, but a lot of love will come in. If you close your arms, you might never get cut - but the good stuff won't come in either.
You can be good in a good movie, you can be good in a bad movie, you can be bad in a bad movie, but never, ever, be bad in a good movie.
My mother always taught me, even my dad, just never let other people's opinions of you shape your opinion of yourself. And I never have and I never will.
My dad always told me to have a short memory, whether things are going good or bad.
When I was nine, I asked my Dad, ‘Can I have your movie camera? That old, wind-up 8-millimeter movie camera that’s in your drawer?’ And he goes, ‘Sure, take it.’ And I took it, and I started making movies with it, and I started being as creative as I could, and never once in my life did my parents ever say, ’ What you’re doing is a waste of time.’ Never….. I know there are kids out there that don’t have that support system. So, if you’re out there and you’re listening, listen to me: If you wanna be creative, get out there and do it. It’s not a waste of time.
I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else.
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