A Quote by Stacey D'Erasmo

There is no such thing as a natural fit between form and content. Seamless elegance would be tantamount to erasure. — © Stacey D'Erasmo
There is no such thing as a natural fit between form and content. Seamless elegance would be tantamount to erasure.
Extinction has only separated groups: it has by no means made them; for if every form which has ever lived on this earth were suddenly to reappear, though it would be quite impossible to give definitions by which each group could be distinguished from other groups, as all would blend together by steps as fine as those between the finest existing varieties, nevertheless a natural classification, or at least a natural arrangement, would be possible.
The natural progress of the works of men is from rudeness to convenience, from convenience to elegance, and from elegance to nicety.
The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.
I think an artist has the potential to investigate both form and content within one activity, to show that there can be coherence between form and values in our society, as in thinking about a city and building one.
A modern arboretum brings us that ancient forest and, with it, a changed apprehension of time, a renewed appreciation of the elegance of natural form and a renewed sense of wonder at the variety of the world we inhabit.
Would you like to assist me with my choice of underwear as well?” My sarcasm whistled right over his head. “I would be delighted. While I’d love to see you in a balconette bra, I’m afraid for this particular occasion I would have to go with a foam-lined seamless due to the tight fit of the garment across your breasts . . . Perhaps I could come over and review what you have available . . .
The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
I nodded. "Yup. What I did was tantamount to treason in their eyes." "I don't know what 'tantamount' means, but it sounds pretty serious.
When there's a good fit between skills and expectations, there's what we call compatibility, and we would expect a good outcome. When there's a poor fit between expectations and the capacity of the kid, there is incompatibility, and that's when we see people exhibit challenging behavior.
The dividing line [between friends and acquaintances] is communication, I think. A friend is someone to whom you can say any jackass thing that enters your mind. With acquaintances, you are forever aware of their slightly unreal image of you, and to keep them content, you edit yourself to fit. Many marriages are between acquaintances. You can be with a person for three hours of your life and have a friend. Another will remain an acquaintance for thirty years.
To me, form is not something that you can plan beforehand, especially for a documentary. You can't write it or sketch it. It requires a confrontation with reality, with history, with ethics and morals. After identifying good content, you have to find the right form to express that content.
The elegance of the Italian South is a very strong elegance and it is one that I bring. It is a sexy elegance - or at least, let's say less chaste.
It is important to notice that these badly functioning designs were praised for 'elegance.' But elegance as theoretical scientists apply it is quite different. The elegance of a mathematical formula is that it explains a phenomenon beautifully, with no parts left over. In design, elegance is more readily perceived as a property of product than of process. If we had more elegant theories, we might look to design for more than elegance.
Good design is not about form following function. It is function with cultural content. By adding "cultural content" to the concept of "form follows function," objects cease to be finite or predictable. Maybe the right way to interpret the dictum is to first acknowledge that the function needs to be clearly understood before the form is considered.
Once out of nature I shall never take My bodily form from any natural thing, But such a form as Grecian goldsmiths make
To take nature and natural play away from children may be tantamount to withholding oxygen.
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