A Quote by Stacey Dooley
Feeling the pressure to find a job or make the wage we earn go as far as we need it to? That's totally relatable. Nearly all my pals, and definitely myself, have been in that situation. It's no fun.
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The only pressure is the pressure I put on myself, that's up to be I guess to mitigate that. I think there's always pressure that you make the right choice for the next film. You don't know what the outcome is gonna be, there's always potential to find length to your career as well. Now I'm so far from any other job skills that if I don't make movies.
When I was 13 I told my dad I'd rather kill myself than do an ordinary job. He vaguely muttered something about how I'd need to earn a living somehow, but he's been totally behind me, forking out money he didn't really have to send me to university. Every other comedian I've met had to fight their parents to be allowed to do this but mine have been brilliant.
If we want to revive and achieve the American Dream, we need to change a situation in which the people whose hard work makes this country run cannot earn a living wage, while bankers, speculators, and corporate elites - the real 'takers' in today's society - skim off far more than their fair share.
I find that I'm not as worried anymore about what other people think. That's a comfortable place to be. And I'm starting to let go of the feeling that I need to push myself to do things I don't want to do - an impulse that has always been linked to the feeling that I'm not enough.
The reality, ... is that I need to win games of football. That's where the pressure and the sleepless nights come from. There's a fantasy pressure with this job but none of that matters. I need to make this team into a good unit, need to take it forward, give it a change of pace, need to get it younger and to use the experience of the lads we've got here. I need Lennon and Sutton and people like that to go and show how you handle being a Celtic player.
For women the wage gap sets up an infuriating Catch-22 situation. They do the housework because they earn less, and they earn lessbecause they do the housework.
But I also want to give them a pathway so that they can earn citizenship, earn a legal status, start learning English, pay a significant fine, go to the back of the line, but they can then stay here and they can have the ability to enforce a minimum wage that they're paid, make sure the worker safety laws are available, make sure that they can join a union.
I really try to make myself relatable, which is hard, because supercars in general are not relatable.
You cannot make a man worth a given amount by making it illegal for anyone to offer him anything less. You merely deprive him of the right to earn the amount that his abilities and situation would permit him to earn, while you deprive the community even of the moderate services that he is capable of rendering. In brief, for a low wage you substitute unemployment. You do harm all around, with no comparable compensation.
I had a huge advantage when I started 50 years ago - my job was secure. I didn't have to promote myself. These days there's far more pressure to make a mark, so the temptation is to make adventure television or personality shows. I hope the more didactic approach won't be lost.
I'm one who will go and have a beer with my pals on a Sunday afternoon. I'll go on a Friday night and have an hour with my pals, lads that I've knocked about with for 20-25 years.
Practically, the desirable situation ought to be one in which any reasonably responsible person willing to accept available employment can find a job paying a living wage within 48 hours.
Upon graduation, go out into the world and try to find yourself. What do I mean by that? Read Socrates, no. Get a job? Not yet. Go out and do some crazy stuff. Don't hurt anybody including yourself, but take some risks. Travel a little bit. Make big mistakes that you have to apologize for. Do stuff that will make you relatable to the world. And whatever jobs you settle into, you will be better at it, for it.
You have more of a responsibility to make the audience laugh. In comedy, we do have to say, "All right, it's been two minutes in the film. We need another laugh here." With drama, there's no pressure in that regard. It's a different kind of pressure, but it's not like we need to make someone laugh.
My job is to find the stories, find where to go, do the research, do the logistics, be there on location, and do as much as possible to get the footage that we need to make an incredible film.
For me, I think that I don't like feeling pressure from outside sources. I'd rather put the pressure on myself and push myself to do it as good as I can.
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