A Quote by Stephen Gaghan

I remember, when I was writing 'Traffic,' talking to top federal drug-enforcement officials and having them say they read it and found it very good and believable, except the scene where the girl describes her resume.
To make matters worse, federal drug forfeiture laws allow state and local law enforcement agencies to keep, for their own use, up to 80 percent of the cash, cars, and homes seized from suspected drug offenders. You don't even have to be convicted of a drug offense; if you're just suspected of a drug offense, law enforcement has the right to keep the cash they find on you or in your home, or seize your car if drugs are allegedly found in it or "suspected" of being transported in the vehicle.
I want to go to Mexico. I've been stonewalled, so far, by federal officials. I want to go to Mexico, and I want to meet with the top Mexican officials. I want to tell them my past experience and what I can do here as Sheriff to help them get better intelligence and communications on the drug thing, not the illegal immigration thing.
In talking to girls I could never remember the right sequence of things to say. I'd meet a girl and say, Hi, was it good for you too? If a girl spent the night, I'd wake up in the morning and then try to get her drunk.
Do you remember A Wrinkle in Time? It's a good one example. I think the character's name is Meg. I just remember she was a very logical, intelligent, advanced girl. I wouldn't say that I felt like that was who I was, but I wanted to be around her; I wanted to be like her. She had an understanding of science and was incredibly curious - an interesting, complex young girl.
This is part of the core media strategy out of Trump's White House: to use federal troops to bolster his sagging poll data. And it is an absolute abuse of federal law enforcement officials.
We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she love one of them most of all.
Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it is not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Welles in the doorway in The Third Man.
Writing well isn't just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in, of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
I think that a lot of men, especially once they're married, feel like their girl is just who she is, so don't treat her too special. They shut her off, and having sex before you go to bed is like a sleeping pill. I always say, you're supposed to remember the reason you even asked that girl out.
It's a very, very interesting experience to be talking to people who are such icons in their own right. When Adele came to a show, I was just talking to her, and at the time, I thought, 'I'm just having a chat with somebody.' But then I heard myself say, 'Oh, I was talking to Adele the other day,' and it's as strange as you'd imagine.
I can remember somebody once saying to me that they thought my life must be less real than these other people that they were writing about, which I found a very peculiar thing 'cos all our lives are equally real, and it's just a matter of depicting them and talking about them.
...a story should be like a roller coaster. That is to say before writing a really cruel scene, I have to lift the people's spirits, for example, with a fun scene... Before writing a scene of pure despair, we must go through scenes of hope. And indeed, when I write, all of this amuses me very much.
Writing is a futile attempt to preserve what disappears moment by moment. All that remains of my mother is what I remember and what I have written for and about her. Eventually that is all that will remain of [my husband] and me. Writing sometimes feels frivolous and sometimes sacred, but memory is one of my strongest muses. I serve her with my words. So long as people read, those we love survive however evanescently. As do we writers, saying with our life's work, Remember. Remember us. Remember me.
I remember watching that scene in 'My Girl' where Anna Chlumsky cries at a funeral. I would cry with her and be like, 'Yeah, I think I could do that. I could do a funeral scene.'
Any girl who was a lady would not even think of having such a good time that she did not remember to hang on to her jewelry.
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