A Quote by Steven Spielberg
I did 50 takes on Robert Shaw assembling the Greener Gun on 'Jaws.' The shark wasn't working, so I just kept shooting to make the production report look like we were accomplishing something and to keep cast and crew from going crazy from boredom. It was a strategic indulgence.
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I love 'Jaws,' and I think Robert Shaw's performance in 'Jaws' is one of the best screen performances of all time. I am a massive Robert Shaw fan. I think he's a brilliant, brilliant talent and we lost him way before his time.
I think the 'Jaws' shark and the 'Shark Night' shark would fall in love and make sweet babies.
I did two records with DJ Mustard. They were stupid, like, crazy hits, so we just kept on working, and we did a whole project together, so we got that coming.
People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.
I think about the movie 'Jaws.' They had this state-of-the-art animatronic shark, but it kept breaking down, which kept delaying the filming. So, they had to use it very sparingly, but it became why the film was so good because you never saw the shark. You only heard about it, and it was suggested.
When you do a film, you know you're shooting for 6 or 9 weeks, you've got your cast and crew. Overall, no one can just pull the plug and say, 'This isn't working.' There's just no security on television, especially for African Americans. It's a tough market.
The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility.
When I was shooting 'Mud,' every day was my favourite! I had so much fun on this film and loved working with all the cast and crew! It was a great experience.
When I initially met with Robert I was just so excited to meet the guy. I was able to go to Troublemaker Studios in Austin, Texas and just hanging out was fantastic. Working on this took up all of my weekends while I was shooting Community. It was crazy, but again, no regrets.
The acting challenge is every day it was just for me a challenge obviously because of the volume that I - of work I had to do throughout the series. Every day was just trying to keep it fresh, trying to keep it maintain a consistency and a growth in the character and in myself. That was the main focus was staying focused when you're fatigued after, you know, it's mainly to work but it's ultimately very rewarding working with this production and the actors and the crew. The crew gave a lot for this thing.
I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.
Going from a short to a feature is like going from crawling to flying. It's a big jump, really. Everything triples - size of crew, budget, shooting days, the cast. Not to mention the stakes - as a first time feature filmmaker so much rides on this film.
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I'm so excited to be working on Doctor Who as it's such a big and important part of British Culture. I can't wait to meet the cast and crew and start filming, especially as we'll be shooting not too far from my home town.
I play Sun-Hi, a Korean-American girl who is a social media expert and dreams of becoming a worldwide star. Being on Make It Pop is so much fun because we get to sing dance and act all in one production which is a dream come true! Working with the cast and crew is also a blast!
The most difficult thing about shooting guns instantly on film is to not pull a silly face while the gun is going off, because it's always a bit of a shock. So you find yourself sticking your tongue out or blinking or whatever. So the hardest thing is to keep a straight face while you're shooting a gun.
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