A Quote by Stanley Kubrick
The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance.
Related Quotes
Know what it is the emotional statement to convey, and use taste and judgement to help the actors give their best possible performance.
No actor can give his best performance without the help of the director.
I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.
An actor is totally vulnerable. His total personality is exposed to critical judgment - his intellect, his bearing, his diction, his whole appearance. In short, his ego.
The things I connected with Zurich about were that he is a selfless person; he wants the best for everybody. He wants to see everybody win. And he's a strong person. A lot of the time, he doesn't wear his emotions on his sleeve because he wants to stay strong for his line brothers, his family, his mom, everybody. I feel like I can relate to that.
When the Spirit of God comes into us, He wants to be Himself in us. He wants His energy to be poured through us. He wants His wisdom to be deposited in our hearts. He wants His instinct and nature to be evident and obvious in you.He wants us to see what He is looking at, to feel what He feels, to know what He knows, to work with His projects, see life the way He sees it, get His ideas and know His opinion about yourself and others.
Stanley Kubrick was very selective when he went into a close-up. Every director has his taste in a performance, but Stanley would explore a scene to find what was most interesting for him.
The bottom line is, when it comes to an actor and his performance, whether nominated or not, it simply has to do with whether that character had enough resonance with the audience. You know, to the filmgoers. And that something that you can't control.
What his imagination is to the poet, facts are to the historian. His exercise of judgment comes in their selection, his art in their arrangement.
Everybody lies...every day, every hour, awake, asleep, in his dreams, in his joy, in his mourning. If he keeps his tongue still his hands, his feet, his eyes, his attitude will convey deception.
It's the director's job to piece together my performance, his interpretation of my takes, each take, and string them together and make a statement. I'm red paint on a canvas for a painter.
I was a child actor in 'Deliverance,' but not the banjo player. It was my dad's big movie as a director, and at the very end there's a scene where Jon Voight comes home to his wife. I played his young son.
I suppose that Paderewski can play superbly, if not quite at his best, while his thoughts wander to the other end of the world, orpossibly busy themselves with a computation of the receipts as he gazes out across the auditorium. I know a great actor, a master technician, can let his thoughts play truant from the scene.
The future mathematician ... should solve problems, choose the problems which are in his line, meditate upon their solution, and invent new problems. By this means, and by all other means, he should endeavor to make his first important discovery: he should discover his likes and dislikes, his taste, his own line.
I watched as Humphrey Bogart’s character used beans as a metaphor for the relative unimportance in the wider world of his relationship with Ingrid Bergman’s character, and chose logic and decency ahead of his selfish emotional desires. The quandary and resulting decision made for an engrossing film. But this was not what people cried about. They were in love and could not be together. I repeated this statement to myself, trying to force an emotional reaction. I couldn’t. I didn’t care. I had enough problems of my own.
Elijah Wood confirms his standing as the foremost actor of his generation. ...Wood acts so eloquently with his sentient face and searching eyes that his job becomes one of concealing how redundant his spoken lines are - a tricky job he largely is able to bring off commendably.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director