A Quote by Sudha Kongara
It really feels special to know that 'Irudhi Suttru' has been selected to be screened at Tokyo Film Festival. I see this honor as an impetus to continue doing my good work.
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It feels good, it feels like a badge of honor, honestly. Amongst the artists here, in California, that festival is such a big deal. People live and die for Coachella. So to be a part of it on such a big scale is really flattering, and I feel really lucky to be part of the community.
There's no reason to be doing comedy during the day in a hot tent. I don't know why anyone thinks it's a good idea, but festival after festival keeps doing it. I did see some of the other comedians struggling.
My dad made a film called 'Willow' when he was a young filmmaker, which screened at the Cannes film festival, and people were booing afterwards.
If I hear a film clip, or I happen to see some image from a film - you go to a film festival, and they show some clip of the movies you've been in, most of the time I sit there and go, "Oh God, I should have... should have... that was terrible." But I think that's a natural part of this work, because really, your work is never over. Of course I can leave it alone and walk off the set and never think about it again when it's done. But your work is really ongoing all the time.
What's great about the Sundance Film Festival is the festival takes over that town as it's intended to do. But, it's very focused on a lot of other filmmakers and distributors so it almost feels like, while they're a lot of so-called civilians there, it's an opportunity that you have to see, to show your stuff to the other folks, your peers really, and to get that reaction.
I went to the Tokyo Film Festival in Japan because I love Japanese cinema.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
[The Raindance film festival] is literally the first time we've ever screened the movie ["Selling Isobel"] to anyone, and people are a little bit traumatised by it.
When you're watching, I find two things happen. You either watch a film and it's really good and then you think, "Why can't I do that?" Or you watch a film and it's not good, and you think, "Why am I doing this?" So either way, it feels like being at work.
One of the great pleasures of going to see a Daniel Day-Lewis film: you haven’t seen him in five years. Where have you been? So, it’s a special event, right? Well, if you want to go see a movie that I’m in, it still may be a special event for you, but, you don’t feel like you don’t know where I’ve been.
One of the great pleasures of going to see a Daniel Day-Lewis film: you haven't seen him in five years. Where have you been? So, it's a special event, right? Well, if you want to go see a movie that I'm in, it still may be a special event for you, but, you don't feel like you don't know where I've been.
It took Cianfrance 12 years to bring 'Blue Valentine' to the screen after he first conceived it. He found Gosling and Williams early on, and they hung in there with him. The film finally premiered at Sundance 2010, then screened at Cannes and the Toronto Film Festival before landing in theaters in December.
I had been doing something for more than half of my life that I wanted to continue doing - I really loved making the film and I really love acting and it is what I want to do.
I've been blessed to be somebody that's been climbing that success mountain top for years of hard work, you know, but now it's all connecting. And now, the whole world is watching, you know what I'm saying, and it feels good 'cause it's good energy. This is all positive vibes, and good vibes and good energy, so it feels incredible.
Tribeca Film Festival Doha will be both an industry festival and an audience festival, not just an event for insiders. Community outreach will be a major part of what we're doing. We'll put filmmakers in touch with local, regional, and international audiences.
We have a documentary film festival in Mexico. It's really original. It's called Ambulante, and it's a film festival that travels around several cities in Mexico.
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