A Quote by Suniel Shetty
As an actor, I don't want to talk too much about my future films because this industry is such that even after half a film has been complete, it can be shelved.
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I don't talk about films even after I sign them because between the signing and the shooting, anything can happen. I am not superstitious, it's just that I don't like talking about a film that is not completed.
I think films are perishable, because they depend too much on technology, which advances too quickly and the films become old-fashioned, antiques. What I hope for is that technology advances to the point that films in the future will depend on a little pill which you take; then you sit in the dark, and from your eyes you project the film you want to see on a blank wall.
I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.
I like to work with people who want to make films because they are passionate about films and not because they want to sell films and make money. I am not for people who get the most saleable actor and then the most saleable director and sell the film.
Hindi film industry makes film for the rest of the world. Tamil films are watched by Malay people. When a film is not bound by a language, why should an actor be?
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
I think my mom is the inspiration of me wanting to do film and TV and be an actor because she loved film so much. She loved, like, horror films and action films, so growing up, she loved watching all the Charles Bronson films and all the westerns.
The makers of 'Ushakaal' said that if I don't do the film they would shelve the project. I didn't want a good subject to be shelved because of me so I went ahead and did the film.
Films take too long. There's too much BS, too much nonsense. If I want to do a play, I just call the theater, whether it's here, or in Paris or Mexico or Spain or London or whatever, and say, "I want to do this, are you interested?" They'll answer the next day. With a movie, it's all, "Oh, I see this film as blah blah blah." They don't know what you're talking about, they don't care.
Even after nine flops, an actor will get his tenth film. But, if a director gives a flop after nine hits, he will not get another film. That is the way the industry functions.
I've stopped going to see art films because every critic gives them four stars and say things like 'masterpiece,' 'spellbinding' and 'mesmerizing.' I mean, they're doing that with my film, but I don't want to use those blurbs. Critical reviews aren't worth too much anymore because just about every film can get one or two of them.
If I read too much or know too much it's not because I want to talk about it, it's only because it's interesting for me.
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
It was kind of interesting: [People] didn't really want to talk about it too much. And then after the election, it's kind of like they've been unleashed.
I want to do acting as much as I can. When you're on contract with a show, you can't really do other shows. It's hard to do film. I haven't had the opportunity to even audition much for films because I don't have an agent.
I owe everything to Nirvana. But I can't let that overshadow the future. For the first few years, I didn't even want to talk about Nirvana. Partly because it was just painful to talk about losing Kurt but also because I wanted the Foo Fighters to mean something.
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