A Quote by Susanne Bier
I'm a huge fan of Richard Curtis - there's real grief, real compassion in his films as well as cheekiness; it's a wonderful cocktail.
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The irony is that we're really good at comedy in Britain, but for some reason, we make very few comedy films. And when we do, they're either quite American in style, or very Richard Curtis. And I like Richard Curtis, but I think only Richard Curtis should write Richard Curtis films, and other people should try and find their own style.
The nectar of compassion is so wonderful. If you are committed to keeping it alive, then you are protected. What the other person says will not touch off the anger and irritation in you, because compassion is the real antidote to anger. Nothing can heal anger except compassion. That is why the practice of compassion is a very wonderful practice.
I'm a huge fan of Andy Kaufman. He made his living just being all sorts of characters, and nobody really knowing who the real Andy Kaufman is. And in a sense, I don't think any of you know who the real Trisha Paytas is either.
[Andrea] Leadsom has compassion ... a real steel and a real determination and that velvet glove of compassion that she really cares about people.
Friends frequently ask how I, given my politics, dealt with seeing my brother and his companion, Richard, together for the first time. They are surprised when I tell them it wasn't as unsettling as I had anticipated. Richard was smart, funny, kind, and clearly devoted to Curtis. They just clicked.
Grief is real because loss is real. Each grief has its own imprint, as distinctive and as unique as the person we lost. The pain of loss is so intense, so heartbreaking, because in loving we deeply connect with another human being, and grief is the reflection of the connection that has been lost. We think we want to avoid the grief, but really it is the pain of the loss we want to avoid. Grief is the healing process that ultimately brings us comfort in our pain.
... if [a photograph is] unbelievably real it becomes superreal or another kind of super real, better than real... [it] also can be, I think, so heartfelt that you almost can get a pang of compassion for the thing.
We need to strengthen such inner values as contentment, patience and tolerance, as well as compassion for others. Keeping in mind that it is expressions of affection rather than money and power that attract real friends, compassion is the key to ensuring our own well-being.
Rarely is the pain of losing someone expressed with such directness, energy, and, yes, humor. The grief in Evan Kuhlman'sWolf Boyis palpable, and so is the flawed, honest humanity of his characters. Here is real loss and somehow, real catharsis.
I was very proud to be Mrs. Curtis Amy. My thing in life when I married Curtis Amy was being Mrs. Curtis Amy. Career was fine, but I was enthralled with being Curtis' wife. That was very important to me back then, and that's always important to a young lady from New Orleans. That's our upbringing: to be a wonderful wife and mother first.
I hate it when people talk about Tony Curtis and say: 'His real name was Bernie Schwartz... ' That was just the name that he was given at birth. It's not the person he lived his life with, and became.
The old time strongmen used to lift huge weights just enough to clear a sheet of paperit is in this tradition that Sri Chinmoy's lifts should be seen. His real goal is to bring attention to the spiritual life , which is the real source of his power. For someone who is approaching 70 years of age, training every day with such ponderous weights to inspire humanity is the real world record.
There are not many people that I respect more than rappers. I'm a huge fan of hip hop. It's incredible, one of the most influential things to me. It takes real genius to be able to do well. It's a very deep art form.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
I like films that are about people and real, and honest films that are authentic depictions of real-world problems.
That's sad. How plastic and artificial life has become. It gets harder and harder to find something...real." Nin interlocked his fingers, and stretched out his arms. "Real love, real friends, real body parts...
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