A Quote by Susanne Bier
The main thing as a director, you always want to have a bit of a worry about the material you're going to get yourself into. You want to be a bit scared of it so that you have that excitement of having to climb the mountain.
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I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it.
Any road followed precisely to its end leads precisely nowhere. Climb the mountain just a little bit to test it's a mountain. From the top of the mountain, you cannot see the mountain.
I'm one of those people who always needs a mountain to climb. When I get up a mountain as far as I think I'm going to get, I try to find another mountain.
I want to write, I want to sing. I want to do the same thing for others, have my music, hopefully do that for others one day, not realizing what I sort of had to climb. I had an idea a little bit, but I think that I underestimated the whole thing.
The photo shoot I always feel a bit embarrassed about because I don't really know what to do with myself, but they usually don't use a bad photo, so you can't worry too much. So my main concern is that I just look a bit more like myself.
I want to be a little bit brave. I want to feel scared sometimes. That's what's going to change the music business, if we have that kind of attitude.
There's always a little bit of anticipation - some people call it nerves - the night before, and although I always slept pretty well before big matches, you want to be on edge a little bit to get the best out of yourself.
I'm trying to avoid any more asshole roles, at least for a little bit. The main criteria for me when choosing a project is a good director. I just want to work with these guys that I admire because I do want to direct my own films one day, and I want to pick their brains to see what their process is like, and see what I can take from that.
I've worked a lot of historical stuff back in Sweden and there's always conflict with horses. I get a bit paranoid when I'm on them, and they can sense that and they get a bit paranoid. It ends up in this bad spiral where I don't want to be on them, and they don't want me on their backs.
Although I don't get the parts in films or other television shows that would be befitting of a huge, international star, I don't have to worry about walking around on the street or eating at a restaurant. Occasionally, you do get recognized a little bit. And that's fine. Most people are pretty cool about it. That's the thing - it's such a low-key thing that I can still enjoy it and not worry about it.
I want to be helpful to the charities I support. I think you can dilute it, the more you do. You have to be a bit strong about what you do... otherwise, you risk spreading yourself a bit thin, and you can be less useful.
You are [as an actor] aware that you don't want to repeat stuff, but you want to use what has worked. But you don't want to be accused of just going over the old thing, you know? You want it to start growing a little bit more.
I have a little bit of a belly, a tiny bit of pooch. It's the one thing I don't want to lose. I just like having some softness. If I lose that, then Tom might leave me.
When you get some success, you want more. When you get one mountain climbed, you want to climb the next one.
If you don't want competition, I think it means you're scared and you can get a little bit comfortable.
I don't want to clip on the armour every morning. I've seen some politicians do this and they get a bit mangled and bitter. I just refuse to do that. I refuse to be angry or bitter or complain, and I remain open. I may sometimes be a bit too open but I'm not going to change that one bit.
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