A Quote by Taika Waititi
I've been on a lot of film sets, and I've always promised myself I wouldn't create a set where people dread coming to work.
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Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.
There are people who like to work in chaos, and some people work better under that, and create that sort of chaos, but that makes a set not necessarily very fun. I like to work on sets that don't have that.
I like stand-up. But I'd also like a family and house and a yard. I want to work with a lot of people, have colleagues; and on good film sets, there's people there that work with the same people for years and years. I love that collaborative spirit in that medium. Comedy is a lot more solitary.
I actually find it's one of the things that lifts me up every day, coming to work and just seeing people always overcoming. That's something that I think a film set does so well all the time.
A lot of people have been hyped up to be great but just disappeared. I promised myself I wouldn't be one of them.
I'm as flighty as anybody. You put a lot out there. I've been through the process a lot. When I play a major role, it's my instinct to create a nice atmosphere. People in the major roles dominate the tone of an entire film. To my mind, it's much easier to work creatively when everyone's friendly.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
I was spending a lot of time in trailers, you know, on film sets surrounded by film people.
I really didn't know what I wanted to do. I went to art school and tried a bunch of different things, but I knew I wanted to do something in the visual arts. And I'd always been around my dad's film sets, so the interest was there. But I didn't have the guts to say, "I want to be a director," especially coming from that family.
I just think that for a lot of people - not to take the focus off of myself - that feeling of imminent dread, like a cloak of black dust, was always around me.
Direction is closest to my heart. I may run out of work as an actor as I get older, but I can work as a director even if I live up to be 90. I promised myself that I will direct a film every three years.
We'll run a lot of multiple sets - pro set, twin set, the box set, ... We'll run a lot of option plays and pass the ball more than in the past.
A lot of people don't know that before the artist, I wanted to be a writer and producer. That's always been a love of mine. Its easy for me to do it on myself, but it's fun to create for someone else.
I would say that the thrust of my life has been initially about getting free, and then realizing that my freedom is not independent of everybody else. Then I am arriving at that circle where one works on oneself as a gift to other people so that one doesn't create more suffering. I help people as a work on myself and I work on myself to help people.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
I've always been inspired by a lot of work coming out of the UK
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