A Quote by Tariq Ali

The human voice deployed to recite the Vedas and later aid the temple dancers was paramount before any instruments emerged. — © Tariq Ali
The human voice deployed to recite the Vedas and later aid the temple dancers was paramount before any instruments emerged.
I love the physicality of instruments, and instruments as objects, like dancers are bodies.
Aid makes itself superfluous if it is working well. Good aid takes care to provide functioning structures and good training that enables the recipient country to later get by without foreign aid. Otherwise, it is bad aid.
I made music on Seven the same way as on the other albums. I only used acoustic instruments... I'm looking for instruments that have vocal sounds, forgotten instruments like the guimbri... The first and second albums were about the voice, what came before. This album is about introducing those sounds into modern, Western life.
Isn't it human beings who impart vitality to the image in the temple? If no one sculpts the stone, it doesn't become an image. If no one installs it in the temple, it does not acquire any sanctity. If no worship is done, it does not acquire any power. Without human effort there cannot be any temples. What is wrong then in saying that we should view great masters as equal to God? Temples installed by such spiritual masters have a special energy of their own.
The Vedas give information on various subjects. They have come together and form one book. And in later times, when other subjects were separated from religion - when astronomy and astrology were taken out of religion - these subjects, being connected with the Vedas and being ancient, were considered very holy.
If we eat any food, or drink any beverage, we must recite a blessing over them before and after.
It's going to take a while before we see a real shift in the students and the dancers that are going into professional companies because it takes so many years of training, but I do think that there's a new crop of dancers, of minority dancers that are entering into the ballet world.
Let us truly be a temple-attending and a temple-loving people….Let us make the temple, with temple worship and temple covenants and temple marriage, our ultimate earthly goal and the supreme mortal experience.
Whenever I have read any part of the Vedas, I have felt that some unearthly and unknown light illuminated me. In the great teaching of the Vedas, there is no touch of sectarianism. It is of all ages, climbs, and nationalities and is the royal road for the attainment of the Great Knowledge. When I read it, I feel that I am under the spangled heavens of a summer night.
My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.
Of all musical instruments the human voice is the most beautiful, for it is made by God.
You listen to Charlie Parker or John Coltrane before they found their voice, they sounded different. And when you listen to them after they found their voice on their instruments, they sound more confident and in control. Artists have that, too.
Sweet harmonious sounds give exquisite joy to human beings capable of appreciating music. I delight in hearing harmonious tones made by the human voice, by musical instruments, and by both combined.
What they did was to make a pilot and it may well go to series at the next festival but I don't have any news on that. It's already been on Paramount actually, but as it's on Paramount it'll probably be on several more times... hopefully.
The body of a human being is a temple of God. But this temple has to be enlightened and has to be auspicious. You have to clear and clean your being completely so it's a beautiful temple for God to reside.
Dancers are instruments, like a piano the choreographer plays.
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