A Quote by Ted Demme
I think, on a larger note, that filmmakers and studios should start to tuck it in a little bit, because films wouldn't have the pressure they have if the word wasn't out about how expensive they were.
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I mean, as you start to scratch the surface - and that's what I think the intent of these films are. Here's a little bit of something if you're interested go read about it and it's a little bit more fascinating. It kind of is.
The studios are making fewer films. They are making more expensive films. Profits are tougher to come by. Not only because of the expense of production. But also because of the expense of promotion and hype. To boil that all down, it's more about hype than it is about filmmaking.
Folks like me have to feel a little indebted to the communities that they came from. And if they do, I think we'll start to see a little bit more of a geographic integration in the country because people will start to think, 'You know what? I owe that place something, and I should return to it in one form or another.'
'Pressure' is a word that is misused in our vocabulary. When you start thinking of pressure, it's because you've started to think of failure.
Pressure is a word that is misused in our vocabulary. When you start thinking of pressure, it's because you've started to think of failure.
I don't think I make genre films. I think studios try to sell films as genres because they know how to do that. There's nothing wrong with that. I don't know what I make. It's sort of a pot roast, all my films.
There was a period around Columbine when horror films were being kind of assailed by the government. The studios got very afraid that they were going to be sued, and studios at about that time were all being taken over by corporations.
Even before the economic crisis in Greece there was no structure for making films - no proper industry, and the structure didn't help filmmakers at all. So filmmakers had to help each other, and make very, very low-budget films. Now with the crisis, things got a bit worse, but filmmakers are still going to be making films. It didn't change that much.
In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.
If I want to tuck my son into bed and read him a story, but that means I have to take a red-eye to get to a concert - which I would never think of doing otherwise - that's just the way it is. Even if I can't hit the note that night, I got to tuck my child in!
I think rock should always stay a little bit outside the pale; I think it should remain a little bit dangerous - a little bit ornery, as the Americans say.
All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
I don't think it's a coincidence that 'The War Room' and 'A Perfect Candidate' are films that have been consistently shown and available for rental for 20 years. These are films that are more about the moment in which they were filmed: they also have a great deal to say about larger issues about who we are as a country.
I think men under pressure - I mean, that's what brings out the worst and the best of us. I like to explore that quite a bit in my characters because I don't see a lot of it on the screen that moved me like the films that I grew up with - that are honest, at least, about honest emotions and honest heroism.
Life can be less mysterious than we make it out to be when we try to think about how it would be on other planets. And if we remove the mystery of life, then I think it is a little bit easier for us to think about how we live, and how perhaps we're not as special as we always think we are.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
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