A Quote by Tim Burton

I have a problem when people say something's real or not real, or normal or abnormal. The meaning of those words for me is very personal and subjective. I've always been confused and never had a clearcut understanding of the meaning of those kinds of words.
Our words are, as a general rule, filled by the people to whom we address them with a meaning which those people derive from their own substance, a meaning widely different from that which we had put into the same words when we uttered them.
One thing that I like to do is use words that have never actually been used in a rap song before. I also like to take words that have negative connotations and show their real meaning.
It is very easy to say that your opponents have been guilty of a breach of faith, but it is a great mistake to splash the paint about so freely that your words cease to have any real meaning and cease to carry any sense of affront even to those to whom they are applied and cease to bear any connection with any genuine feeling of indignation on the part of those on whose behalf they are spoken.
I have a problem with writer/directors, personal. I can't work well with both of them on the set, if both of them are giving instructions. Writers tend to be in love with what they wrote. You can't always translate the words into the meaning, sometimes the meaning is better served without the words, difficult to make a writer to try to understand that. It gets, sometimes, tense.
Men of the world who value the Way all turn to books. But books are nothing more than words. Words have value; what is of value in words is meaning. Meaning has something it is pursuing, but the thing that it is pursuing cannot be put into words and handed down. The world values words and hands down books but, though the world values them, I do not think them worth valuing. What the world takes to be values is not real value.
The problem with words is that they easily lose their meaning. Say something often enough and it becomes a tic, not an expression of how you actually feel. Not only that, but words rarely change things. Actions do.
Your questions refer to words; so I have to talk about words. You say:;: The point isn't the word, but its meaning, and you think of the meaning as a thing of the same kind as the word, though also different from the word. Here the word, there the meaning.
My art, what do you want to say about it? Do you think you can explain the merits of a picture to those who do not see them? . . . I can find the best and clearest words to explain my meaning, and I have spoken to the most intelligent people about art, and they have not understood; but among people who understand, words are not necessary, you say humph, he, ha and everything has been said.
I have been putting words like 'abnormal' and 'deviant' in quotes because those categorizations are under fire now, the boundary between normal and abnormal as questionable now as are all the other boundaries that once defined social reality.
We are full of words whose true meaning we haven't been taught, and one of those words is suffering. Another is the word death. We don't know what they mean, but we use them, and this is a mystery.
Sometimes writers or writer-directors can get nuts about words, but you know and I know that it's the thought process behind the words that motivates the words, that conveys real communication and meaning.
When the bubble of ignorance bursts the self realizes its oneness with the indivisible Self. Words that proceed from the Source of Truth have real meaning. But when men speakthese words as their own, the words become meaningless.
For it was not so much that by means of words I came to a complete understanding of things, as that from things I somehow had an experience which enabled me to follow the meaning of words.
And people get all fouled up because they want the world to have meaning as if it were words... As if you had a meaning, as if you were a mere word, as if you were something that could be looked up in a dictionary. You are meaning.
One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.
Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words--"friend" and "real" and "story" and "change"--words that had been shucked of their meanings and reduced to husks. Some, like "identity" and "search" and "cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had "American" become an ironic term? How had "democracy" come to be used in an arch, mocking way?
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