A Quote by Todd Phillips
It's heartbreaking when you hear a kid buying a ticket for... I don't know, whatever movie you're up against. And you see them sneaking into your film. It's just heartbreaking. But in the spirit of full disclosure, that is what I did as an 11-year-old sneaking into 'Stripes.'
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--There you are. The sight of the changing world is miraculous and heartbreaking, both at the same time. --But so it is for me too. The heartbreaking side of growing old is not in the things around one but in oneself.
In high school, I had a couple girlfriends who had very extreme eating disorders. Anorexia and bulimia. And in college as well. It's just heartbreaking. As someone going through it, it's heartbreaking. And as a friend who's helping a friend going through it, it's heartbreaking. It's a real, real disease.
We had this incredible pass over the Himalayas, and to just see all of that pollution that's riding up against those mountains from the south is just really heartbreaking.
There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.
Kids want you to take them to whatever kid movie is opening, and you just hope it's good because you're going to buy a ticket, no matter what. If it's no good, you kind of drape your arm over your kid so they don't get smashed, and you take a little nap.
Sometimes you just wanna go out, see your action movie, be done with it, come home. You know, and, like, you see 'The Matrix' or whatever, you see whatever film it is, and you're like, 'Oh cool,' whatever.
Not that I'm against sneaking some notions into people's heads upon occasion. (Or blasting them in outright.
Teenagers are always sneaking around in drawers where they shouldn't go and reading things they shouldn't be reading. And that's an attempt to try, I think, to penetrate, that's how I found out as a teenager what was going on, was by sneaking into drawers and reading letters that I had no business reading.
I learned early on that it's heartbreaking to - there's the editor that comes in, and then they have to craft the movie together, and sometimes you give a whole performance that's just been cut up, and maybe it's better for it, absolutely, but you still have to deal with the loss of that.
Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it.
I can say now is that sneaking up on people is a major delight in my old age, but it always has been. A desire, even a need, to shock.
The problem is, when I talk about heartbreak or whatever, people want to melt it down to some break-up of a relationship, but it's not about that. If you're a sensitive person, just stepping outside can be heartbreaking.
Sure. I’d like to live regular. Go home to a good looking wife, a hot dinner, and a husky kid. But I guess I got film in my blood. I love this racket. It’s exciting. It’s dangerous. It’s funny. It’s tough. It’s heartbreaking.
You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.
Before 'Animal House' came out to open up a huge market, there just weren't parts for young guys. That genre of film was my ticket in... One of my first jobs was with Bill Murray in 'Stripes.'
You know what the problem that animal activists sometimes have? They only concentrate on the heartbreaking things to the point where the general public thinks, 'Oh, here comes those animal folks again and I'm going to hear all the things I don't want to hear.'
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