A Quote by Todd Haynes
'Carol' takes place in the really early '50s, before Eisenhower has taken office. It's based on a Patricia Highsmith novel, her second and most autobiographical book and the only one outside of the crime milieu.
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The wildest ride in modern crime novel exoticum. A novel so steeped in milieu that it feels as if you've blasted to mars in the grip of a demon who won't let you go. Read this book, savor the language-it's the last-and the most compelling word in thrillers.
In researching 'The Luminaries,' I did read quite a lot of 20th-century crime. My favourites out of that were James M. Cain, Dassiell Hammett, Raymond Chandler and Graham Greene and Patricia Highsmith.
'The Handmaid's Tale' takes place in the near future, a dystopian future, and is based on the book by Margaret Atwood. It takes place in what was formerly part of the United States at a period of time when society has been taken over by a totalitarian theocracy. It's about the women who live in subjugation.
Polar' is based on the first and a little bit on the second book and all the characters from those novels are in there. The story is based on the graphic novel, but when it came to the execution of the film I felt I couldn't really make a movie without any dialogue.
The most autobiographical thing I've ever written is my second novel, called 'An Ocean in Iowa.' That is pretty close to my childhood.
I've always been drawn to dark stories. I enjoy reading Flannery O'Connor, Patricia Highsmith, and Margaret Mitchell.
The comic book writer Kelly Sue DeConnick really uniquely tapped into Carol Danvers - not just her toughness and her power, but also her vulnerability.
Whatseems to take place outside ideology (to be precise, in the street), in reality takes place in ideology. What really takes place in ideology seems therefore to take place outside it. That is why those who are in ideology believe themselves by definition outside ideology: one of the effects of ideology is the practical denegation of the ideological character of ideology by ideology: ideology never says, 'I am ideological.'
I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.
'The Turnaround' isn't even really a crime novel. But you need conflict to make a novel, any kind of novel, and I don't know any other way to do it than crime.
To search means, first, I need Being, Truth; second, I do not know where to find it; and third, an action takes place that is not based on fantasies of certainty— while at the same time a waiting takes place that is rooted not in wishful thinking but in a deep sense of urgency.
In creating the strange milieu in which your story takes place, you must first understand as well as you possibly can the familiar milieu in which your own life is taking place. Until you have examined and comprehended the world around you, you can't possibly create a complex and believable imaginary world.
Photography, precisely because it can only be produced in the present and because it is based on what exists objectively before the camera, takes its place as the most satisfactory medium for registering objective life in all its aspects, and from this comes its documental value. If to this is added sensibility and understanding and, above all, a clear orientation as to the place it should have in the field of historical development, I believe that the result is something worthy of a place in social production, to which we should all contribute.
Before the Internet, all most people cared about was Office. And Office was really the only reason anyone wanted Windows machines instead of Macs.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
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