A Quote by Todd Haynes

I figured I would be teaching my whole life and making experimental films on the side. — © Todd Haynes
I figured I would be teaching my whole life and making experimental films on the side.
I felt I would have the most creative freedom making experimental films and teaching, as I had many good examples of people around me who did just that.
[Asked whether he would like to see an experimental demonstration of conical refraction] No. I have been teaching it all my life, and I do not want to have my ideas upset.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I hadn't had any course work in ceramics. I had no courses in art education but I wasn't going to let this chance to have a job pass me by. I went out and learned and I stayed one step ahead of the students by reading and I got to be pretty proficient at throwing on the wheel and making my own glazes, ordering the chemicals and having the students go out and dig and process their clay, and doing things that they weren't teaching at Howard University. So Talladega College opened up my whole sensibility about experimental teaching.
If I was lying on the side of the mountain, dying, would I have any regrets? Yeah. I would regret not making films.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I actually went to film school and was making experimental films for a short time, so it wasn't such a leap.
People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
If I weren't making documentary films, I suppose I'd be teaching.
I thought that my life would be spent working in a bookstore, teaching community college, and making music in my spare time that no one would be willing to listen to.
Traditional songwriting, to us, is where the experimental nature comes in. We're all involved with so much outside activity with really hardcore, experimental music-making.
I've heard about brothers making films, but I've never heard about whole families making films like this. We didn't intend to do it; it wasn't something that we planned - it just gradually happened.
The whole Universe is on your side. Life is forever biased on the side of healing, on the side of overcoming, on the side of success. When you get yourself centered in the Universal flow you become synchronized with this divine bias for good.
When I was a kid, I figured I would be a physicist when I grew up, and then I would write science fiction on the side. The physicist thing didn't pan out, but writing science fiction on the side did.
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