A Quote by Tony Judt
I see myself as, first and above all, a teacher of history; next, a writer of European history; next, a commentator on European affairs; next, a public intellectual voice within the American left; and only then an occasional, opportunistic participant in the pained American discussion of the Jewish matter.
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What is the use trying to describe the flowing of a river at any one moment, and then at the next moment, and then at the next, and the next, and the next? You wear out. You say: There is a great river, and it flows through this land, and we have named it History.
Economically and politically, Germany is extremely stable. There are countries with functioning governments whose institutions don't work. My only concern is about Europe. There's a risk we will run out of time. We have been blessed with a pro-European French president, but we are also approaching the next elections for the European Parliament in 2019, and it will be important for pro-European parties present a credible answer to the anti-Europeans on the left and the right.
There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
History shows us that people are terrible about guessing what is going to happen - next week, next month, and especially next year.
Both European and American historians have done away with any conceptual limits on what in the past needs and deserves investigating. The result, among other things, has been a flood of works on gender history, black history, and ethnic history of all kinds.
We do have Museums of African American Art in the United States, and there is a National Museum of Women's Art. However, I believe Latinos are best served by displaying their art next to the art of other groups, particularly North American, European, and even Asian artists.
The American Jewish left gets a lot of press time. But the American Jewish right does not. And in many ways, the American Jewish right is every bit as well-organized and perhaps better funded than the American Jewish left. And they also come out with criticism.
Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.
I knew nothing of American History because I didn't pay attention to American History in school. Because I did not see myself in American History in school.
For the first fourteen years for a rod they do while for the next as a pearl in the world they do shine. For the next trim beauty beginneth to swerve. For the next matrons or drudges they serve. For the next doth crave a staff for a stay. For the next a bier to fetch them away.
The European Union's finished. It doesn't work. You know, we just had the honor in Britain of being the first country that rejected membership. You know, you could be next. It could be Denmark next. It could be Dexit.
I’ve come to the point of view that for European-American society and culture to persist requires a European-American majority, and a clear one at that.
We have seen and do see the type of evil that is within human civilization, and the Holocaust took place in European history during an advanced state of technology and form of civilization, only to become an event in that history that questioned what civilization actually means.
I'm a European, and I live there. I work in European films, and then once in a while, I make an American movie.
In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American -- on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
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