A Quote by Tony Scott
The real world is where I get to educate and entertain myself. I go and touch the real world and touch real people. That's my way into movies.
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Research is what drives me. When I get a script, I go to the real world and touch the real people.
With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.
An administrator in a bureaucratic world is a man who can feel big by merging his non-entity in an abstraction. A real person in touch with real things inspires terror in him.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
Life comes when you have knowledge, wisdom, and understanding, when you can see for real, touch, and feel for real, know for real. Then you are truly living.
I'm a real person. I have real feelings. I have real thoughts. It's a quality people like about me. They can reach out and touch me. I wouldn't give it up for anything.
The more closely you get in touch with your dreams, the more able you are to make them real. The more vividly you consider how you want your world to be, the more real and effective tools you will have for making it so.
The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.
My job, as an actor, is to entertain people. My contribution to society is to be a respite from everyday life. People go home and watch television or they go to the movies, and they get to escape their reality. But if I can do entertainment that also maybe can educate people, educate myself, move people's hearts and minds, in some way, and bring light to some injustice, that's when entertainment is at its best. And if somebody wants to get more involved in a socially active way, that's when you've done the thing that I've always wanted to be a part of.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
Yeah, you know, there's a difference between the textbook world that economists like to imagine, and the real world where real people have real feelings.
I'm a real 'go, go' person... I'd make myself crazy by pushing too hard. It's important to pull pack the reins a little bit and get in touch with what's inside.
I remember sitting on my couch on a Saturday watching reruns of 'The Real World.' And it said, 'Do you want to be on 'The Real World?' Go to MTV.com, and you can try out there.' And I said, 'I want to be on 'The Real World.'' And I sent in my tape.
My artistic goal was to write something that's one hundred percent real and true to me and to this world. I tried to touch on truths that really connect with people from every avenue of life. Ultimately, when you write from a vantage point of faith, humility and openness to the world around you, people have to respond because those same truths are instilled in them. Honestly, I don't have any agenda other than being sincere, real, and passionate about these songs and the music I make.
'I want to touch people but if I touch them in real life they'll slap me.' That's what writing isit's a gross person getting a hug.
The real world is the fantasy writer's scrapbook. Real history, real geography, real customs and religions are all invaluable sources of guidance and inspiration.
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