A Quote by Uwe Boll

I had $60,000 for my first movie. I was 33 before I made any money off of movies. I worked my ass off for free. To get that I'm "enemy number one" among young kids is a little absurd.
When I made the decision to really get serious about my writing, I set myself a goal of 1,000 words a day for seven days. If I got to 7,000 words before Monday I could take a day off, but I had to get there. I had to do that every week.
Albom with Trent Willmon is the first project that I haven't had to scrap money together for. The is the first time I've used any outside songs at all; until now it's only been stuff that I've written. This is also the first album of mine that's had any co-writes on it, as well. It's a big step, coming off of anything we've ever done before.
If you've got $25,000, $50,000, $100,000, you're better off paying off any debt you have because that's a guaranteed return.
I've been working very hard off-off-off-off-off-off-off Broadway and doing little films and really sweating my butt off in tiny little black boxes.
Spendin all the money I just worked my ass off for doing things that I won't regret.
A lot of people relate my success now with The Voice, and it has nothing to do with that. I've definitely worked my ass off for a year afterwards trying to get that off of my forehead. If anything, it's actually harder to get labels to look at you when you come off a show like that, and it's harder for people to look at you like a real artist.
I worked at Drexel Burnham and DLJ, and then I worked at a financial conglomerate that had 60,000 people - there was a difference. But we went to the schools and said it's the same. The experience I had in 1992 is exactly what you're going to get in 2002.
I used to be so angry about the kids that had stuff. Like the kids that had cars, the kids that had money to go get lunch every day off campus. I used to feel so slighted.
Looking at 2014, I look back: we made more money off 'Mailbox Money' than we would have made off taking an advance from anybody. We made more money letting our fans buy the stuff directly from us than what any label could have offered us.
I managed to get a short film with Channel 4 Films. I cast a young actor who'd done a bit of television before, a young actor called Ewan McGregor. That was very first thing. This writer had won this competition, and I made this little short, black and white movie. I think for both Ewan and I it was the start of our careers.
Get over it people, I worked my ass off.
There was a television show called The Innocents of Hollywood. Brooke Shields is a friend of mine and she saw one of the introductions to it, and she called me and said, "I think you better check this out." And on this show they talked about parents who'd ripped off their kids. One of them said, "My mother stole $300,000 from me as a child." Well, my mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother. But god knows what people will say when this movie comes out.
Let's face it, you get home from work and what's the first thing that comes off? It's your bra, isn't it? You don't even take the clothes off. You actually sort of pull it out one of the sleeves and then fling it off. You're free.
First off, we've had sworn testimony from soldiers and testimony before our staff that wasn't sworn, that said these alarms rarely went off, that they went off after the war in most cases and went off a lot.
When I'm on the road making a movie in another city, on my day off, I always go to the movies. I love going to the movies. You get a ticket and sit there, and it's very interesting to be around people who aren't personally invested in you, in any way. They're just going to the movies.
You still get the movies made. A filmmaker can always scrape up money to do a movie. The passion drives it. And you'll get the money. Money's the easiest thing. But the hardest thing is finding a way for people to see your movie.
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