A Quote by Uwe Boll

I want to be like, "Look at Postal like Quentin Tarantino did it. Brainwash yourself and convince yourself that Tarantino did it. Forget my name and enjoy the 100 minutes and then write your review."
I like Quentin Tarantino, especially the early films, but I'm a big fan of Billy Wilder and Preston Sturges... you know, people were writing great dialogue back then. It's as if people only have the memory of the last 15 years. So, before Tarantino no one was writing witty dialogue? That's ridiculous. Why do we have to keep referring to Tarantino?
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore, and I am very squeamish about violence, but Tarantino's violence is actually funny.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.
There's no one out there like Quentin Tarantino. His films have a signature look, and they never just stick to the same kind of story.
There are no good guys in a Quentin Tarantino movie. They're all bad guys. And you like us. That's Quentin's big talent.
Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.
I want to do films and have my name mentioned next to Wes Anderson and Quentin Tarantino. I don't want my name mentioned next to other rappers at all.
Quentin Tarantino doesn't beat Hal Ashby, and he's one of my favorite directors. Quentin is incredible.
I love crosscut parallel storytelling, like we did in Blue Valentine. I love how Alejandro González Iñárritu has done it, and Quentin Tarantino, and Francis Ford Coppola, and all the way back to D.W. Griffith - this parallel editing is an effective way to tell stories. It's like juggling, like keeping a lot of balls in the air and seeing how they come down.
Basically, you can't make a pop culture reference now without someone saying it's Tarantino-esque or post-Tarantino and I'm like where's that all come from? It's ridiculous. But it's not his fault.
I've grown to love it, but I'm not like a lot of other people who were always crazy horror fans like Eli Roth or Quentin Tarantino.
Quentin Tarantino is a genius. I want to do every single film with him.
I think no matter what you look like, the key is to first of all be happy with yourself. And then you know if you want to try to improve things that you don't like about yourself, then do it after your appreciate yourself.
If I could meet Quentin Tarantino, I don't know if I'd just ask him one question. I'd probably milk it into, like, 500 questions.
Quentin Tarantino is my 15-year-old son's favorite director, and by that I mean no condescension to either Tarantino or my 15-year-old son.
Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.
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