A Quote by Whit Stillman
There's something really admirable about French culture and an attraction in how independent it is from our own. So, it's odd that in other countries that are very American-influenced - who seem to care more about the Oscars than anyone here does - there's both anti-Americanism and also too much America.
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I learned so much in Zimbabwe, in particular about the need for humility in our ambition to extend mental health care in countries where there were very few psychiatrists and where the local culture harboured very different views about mental illness and healing. These experiences have profoundly influenced my thinking.
The people know more about [Jazz] in other countries than in America. America is the last country to know about anything, because we're too fat, we have too much of everything, you understand? And we do not listen.
I actually don't think there is any difference between French and American cuisine. French cuisine was always about discipline, about ingredient, about creativity, but also about simple. I see America as very similar in these rights.
Comparatively there is a much more awareness about energy resources in other countries and especially in the US and European countries. Also people there are much more serious about what they do. Here, people are more concerned about getting a 'degree' rather than this.
O.K., if the desire to knock America off its pedestal, to redistribute American income to other countries, to shrink America's footprint in the world, makes you anti-American, then Obama is in fact anti-American.
American officials have bent over backwards to show how sensitive they are to Muslim culture. It didn't seem very effective. They seem to be worried about winning the respect of other people.
I don't know how people get so anti-something. Just mind your own business, take care of your own affairs, and don't worry about other people so much.
I have a really, really difficult time with dramaturgy sometimes in America, because I write about other cultures. I write about a culture that is very difficult, it is very foreign to a North American. A lot of people don't know about what's happening.
Perhaps generations of students of human evolution, including myself, have been flailing about in the dark; that our data base is too sparse, too slippery, for it to be able to mold our theories. Rather the theories are more statements about us and ideology than about the past. Paleontology reveals more about how humans view themselves than it does about how humans came about, but that is heresy.
If educators were really understanding of that, they'd say, "You know what? Forget about bilingual, we're going to do multilingual education." So children are ready for the new millennium. We're way behind compared to countries in Europe. If we were multilingual, imagine how much you would learn about your own culture, about the sensibilities of what's important in your own culture.
The scene of independent cinema is already a large scene in America, and not in a negative way, but it's cluttered. It's very populated with just American films, so the room left for foreign movies is not extremely vast. The American public also does not really read. They don't read subtitles. But we're like that in Canada, too.
It was in the 1960s that the left convinced itself that there is something fascistic about patriotism and something perversely "patriotic" about running down America. Anti-Americanism - a stand-in for hatred of Western civilization - became the stuff of sophisticates and intellectuals as never before. Flag burners became the truest "patriots" because dissent - not just from partisan politics, but the American project itself - became the highest virtue.
We're talking a very cultivated people, but I found as cultivated as they were, they were uninformed about the personages who weren't American. They knew everything about America, but much less about other countries.
It's about something that I'm extremely passionate about: exploring other cultures, how Americans are perceived by other cultures and how we perceive other cultures through our worldview. I travel whenever I get an opportunity to do so, and I think this country is ready for a show on television that is bilingual and really puts front and center another culture, both as the protagonist and the antagonist.
Some anti-Americanism derives simply from our being a colossus that bestrides the earth. But much anti-Americanism derives from the role U.S. political, economic and military power has played in denying such freedoms to others.
One thing I found very interesting about comedians around the world was their knowledge of stuff outside of their own culture and comfort zone. That's not very common in the States. We produce our own soft power, which is pop culture, but we rarely try to absorb and learn information from other cultures and countries.
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