A Quote by Farah Khan
I make aesthetic movies which are grand and with some of the biggest stars. It's not fair to run them down. I don't make tacky films.
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Some filmmakers make films to please themselves and a handful of critics, so they get 5-star reviews but their films don't run at the box office. I make films for the masses.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
Stars make money on real movies. They make big money on real movies. To come into my world, I've got some M&Ms and some potato chips, and I'm asking you to move furniture.
Around age 18, I decided to start writing my own stuff. I wrote some bad short films and shot them. I tried to make them better and better. I slowly learned how to make movies, and I think I'm still learning.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
Stars work because of familiarity. They fill theatres because audiences know who they are. There is a brand equity. But there are films strong enough to not need stars, or films that should not be made with stars at all, where only fresh faces will do. So I make the decisions accordingly.
Make DV movies so you can learn how to make films, but don't try to distribute them until they are fantastic.
I want to make all kinds of movies. I do want to make big movies that are a lot of fun to go to, but I also want to make movies that are going to stimulate some thought and maybe raise some awareness.
A lot of times I'll make films that are mostly character-driven films - stories that involve people. Like, I make the joke: I like to make movies about human beings that live on Earth.
I've done all kinds of movies, but I wanna do some more independent films that are not your run-of-the-mill type movies like 'American Splendor', which I had a big part in, that are really trying to do something unique.
Event cinema is what it is, and I understand why it's successful. It started with things like 'Jaws,' which are extraordinary movies. But what we've lost are great character films which are beautifully directed and had great movie stars in them. Films that were about something rather than about spectacle.
I don't make movies for the same reason that a lot of people do. I make films because I need to see them exist in a very specific way.
I think I'm drawn to films more as a director with a directorial mind even as an actor. I make movies to make the films, not to act.
I still like the run and gun action movies and how truly dangerous it can be to make these films.
The most difficult part of making movies is to keep making them. Maybe, you could make the biggest hit in the world, but then the big problem is what to do next and how to maintain devoted to a certain instinct that I have about films.
I do not make films which are prescriptive, and I do not make films that are conclusive. You do not walk out of my films with a clear feeling about what is right and wrong. They're ambivalent. You walk away with work to do. My films are a sort of investigation. They ask questions . . .. Sometimes I hear that some [Hollywood] studio is interested in me. Then they discover that this is the guy who works with no script, that there is no casting discussion, no interference, that I have the final cut, and that does it.
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