A Quote by Federico Fellini

Every time I start a picture ... I feel the same fear, the same self-doubts . . . and I have only one source on which I can draw, because it comes from within me. — © Federico Fellini
Every time I start a picture ... I feel the same fear, the same self-doubts . . . and I have only one source on which I can draw, because it comes from within me.
The family endures because it offers the truth of mortality and immortality within the same group. The family endures because, better than the commune, kibbutz, or classroom, it seems to individualize and socialize its children, to make us feel at the same time unique and yet joined to all humanity, accepted as is and yet challenged to grow, loved unconditionally and yet propelled by greater expectations. Only in the family can so many extremes be reconciled and synthesized. Only in the family do we have a lifetime in which to do it.
Every little thing has a purpose, at the same time, it has no purpose because this whole thing is a game. It is the existence which is total, beyond purpose. So you can say, virtually there is no purpose. If at all you have to pin down to a purpose then the purpose of nature is to take you to the Source, is to remind you of the Source, connect you to your Source.
Every time I start off a book or a story I feel like I'm developing a new style or approach for that individual story alone, and it sometimes feels as if readers are looking for the same style/approach from the same writer over and over again, which hasn't helped me in the publishing biz.
Within those confining walls, teachers - a bunch of men all armed with the same information - gave the same lectures every year from the same notebooks and every year at the same point in the textbooks made the same jokes.
Not everybody should be laughing at everything at the same time. That's not even natural. My thing is to feel natural, because I don't want to feel like I could just make people laugh at every single joke, every single time, with the same decibel level.
Americans look at the Middle East as a source of trauma because of 9/11. At the same time, I could see the fear going on in the Middle East as well - which would be the next country to be invaded or sanctioned? Being around those tensions was traumatic for me.
I'll get angry in the same way with the coachman Ivan, argue in the same way, speak my mind inappropriately, there will be the same wall between my soul's holy of holies and other people, even my wife, I'll accuse her in the same way of my own fear and then regret it, I'll fail in the same way to understand with my reason why I pray, and yet I will pray--but my life now, my whole life, regardless of all that may happen to me, every minute of it, is not only not meaningless, as it was before, but has the unquestionable meaning of the good which it is in my power to put into it!
The registering of doubts hath two excellent uses: the one, that it saveth philosophy from errors and falsehoods; when that which is not fully appearing is not collected into assertion, whereby error might draw error, but reserved in doubt: the other, that the entry of doubts are as so many suckers or sponges to draw use of knowledge; insomuch as that which, if doubts had not preceded, a man should never have advised, but passed it over without note, by the suggestion and solicitation of doubts, is made to be attended and applied.
That's what just hit me: How you really can't have everything. You have to give up the old to get the new. You can't be the child and the mom at the same time. You can't be your young self and your old self at the same time. You can't know what you know now and feel the way you did then. You can't, you can't, you can't.
Being in a long-running series is great because it gives you so many opportunities - but at the same time it's a bit desk jobby: you go to the same place every day, you do the same thing and you play the same character.
However, the wind only changes the picture temporarily, the substrate remains the same and sooner or later the same picture surfaces once again.
Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.
My first decade of living in a metropolis was like, I was a people watcher. It meant the world to me to talk to strangers. I got excited about the fifth time I'd see the same person in the same bodega. I loved getting to know a certain clerk or barista. It took on a whole big meaning for me because of that atomization that suburban people do start to feel.
I think we all suffer the same pain, all feel the same happiness, and we all have the same emotions within us.
We're both looking at the same moon, in the same world. We're connected to reality by the same line. All I have to do is quietly draw it towards me.
I knew I wasn't going back to Brooklyn... I never knew exactly. I just kinda - you work with these guys every day. You see the same players, you see the same coaching staff, you see the same trainers every day. So when they start to act a little different, you recognize it... I could feel it.
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