A Quote by Philippe Falardeau

I work, play and do everything in French. — © Philippe Falardeau
I work, play and do everything in French.
In the province of Quebec where I come from, we speak French and the only cosmopolitan city is Montreal. Every time we tackle the subject of immigration and racial tension, it's an issue that concerns Montreal. Also, in Quebec, we have this added issue that we want people to speak French, because French is always on the verge of disappearing to some extent. I work, play and do everything in French.
In the Middle Ages, everything bad was the work of the devil, everything good, the work of God. Today, the French see everything in reverse and blame the Germans for it.
When you set a play in the French Quarter in New Orleans, it's hard not to acknowledge the whole African-American, French, white mixing of races. That's what the French Quarter is: it's a Creole community.
I'm a huge fan of French comedy. The French play comedy in a slightly different way than we do: they play it with a sort of realism that we don't necessarily often do ourselves.
There is no word in English for chic. Why should there be? Everything chic is by legend French. Perhaps everything chic is in reality French.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
Everything is about balance. You can't work, work, work, work without any play.
I want to be in everything, but that's because I haven't seen someone who looks like me in everything. I want to play a superhero. I want to be the love interest. I want to write my own stuff and create my own projects. I want to be in French films.
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.
OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. It's a typical French movie with typical French themes with French actors, a French director.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
Everything's a real passion to me - my children, my family, my work, travel. I don't play tennis, I don't play music, but I have a great time.
When I got to college I simply decided that I could speak French, because I just could not spend any more time in French classes. I went ahead and took courses on French literature, some of them even taught in French.
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