A Quote by Hayao Miyazaki
If [hand-drawn animation] is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.
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The Bible was written two thousand years ago. The world is a different place now. Stories that had meaning then are meaningless now. Beliefs that might have been valid then are invalid now. Those books should be looked at in the same way we look at anything of that age with interest with an acknowledgement of the historical importance but they should not be thought of as anything that has any value.
I love hand-drawn animation, but I have to say I have fallen in love with CG animation. What you can do in terms of visuals is pretty stunning, and I think if I did go back and do a hand-drawn animation, I would want to make sure that, from a stylistic standpoint, it would be as beautiful as 'Hunchback of Notre Dame' at least!
Animation remove you from a visual reality - if it was live action, you wouldn't be able to see through the person's mind. But animation takes a step away. It creates a very stylized landscape, but at the same time it is the form that is best able to address the reality of being alive and being in pain.
I'm going to say this tonight because 20 years from now, 30 years from now, 40 years from now, I might not be able to say it, but I can say it tonight….You are now watching the greatest living rock star on the planet.
I have to tell you, a few people had very controversial feelings about what I was doing with Gucci at the beginning, and now, after a couple of years, they are changing their minds. I want to give journalists the time and space to know me and what I'm doing better. But it's not a priority for me. At the end of the day, I am not an artist; I am not doing a performance; I'm doing things that need to be sold. And I know my job.
The dream of having one's dream job turned into "Oh my God, I'll take any job. I've been out of work for two years now. I don't care what I do. I'll do anything because I don't have any money".
I love all sorts of animation, probably the most beautiful would be the tradtional hand drawn animation that Disney is known for. Stop-motion has a certain "grittieness" and is filled with imperfections, and yet their is an undeniable truth, that what you see really exits, even it if is posed by hand, 24 times a second. This truth is what I find most attractive about stop-motion animation.
I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.
My aspirations were never anything other than I really, really admired certain singers over the years, and I just wanted to do the best I could. And that has been kind of like the way I've been fortunate enough to be able to have a career, have some success, and yet continue to learn my craft.
With the world as it now presents itself, there is something perverse, and probably dysfunctional, about a person who stays in the same house for 40 years. What about the expanding family syndrome, the school-lottery migration, the property portfolio neurosis? Have you no imagination?
I suppose I've been very fortunate in terms of my longevity and my voice and the way it has held up over the years. I hope to be able to keep on doing what I'm doing until I can't do it anymore.
If we're still talking about the same thing 40 or 50 years later, then that means we're not doing anything about it.
I feel fortunate that, by the age of 40, I had crammed in an entire political career.I had been in the Cabinet and been leader of the party, so now I can branch out into other things... it is a very liberating feeling.
I'm getting ready to write a piece now, and it's been six months thinking about it, changing the instrumentation, changing the name, doing more reading.
It's a different era. Our job now is to show leadership and vision and to help the next generation of artists.
I feel fortunate to have made records during an era where people actually bought music. But I have friends in struggling up-and-coming bands now that will certainly never be able to pay the rent, because music has been devalued.
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