A Quote by Hillary Clinton
You know, I'm going to start thanking the woman who cleans the restroom in the building I work in. I'm going to start thinking of her as a human being.
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Compare and contrast: Donald Trump is going out thanking the voters who supported him. You look at his cabinet picks. They are not donors. These three military guys are not being chosen because they're being paid back for donating to Trump. He's picking them because they're the best. And what's Hillary Clinton doing? She is thanking the money people. She's not thanking supporters. She's not thanking people who believed in her for her ideas and substance and her personally.
Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.
As an actor, you always feel like you're not going to work again. You're always unsure about how things are going to work out, and you start thinking you're going to just fade off into the distance.
Entrepreneurs need to start building today. The barrier to entry in tech is low, so start designing, start coding it, launch it, build prototypes, build a working version of it. The Internet has amazing powers of distribution. You can test your ideas. You can see if it works, if it doesn't work, whether it's fun, and whether you're sufficiently motivated. People who go into entrepreneurship to get rich aren't going to be happy. It’s the building of things that makes you happy. You have to enjoy the process whether you succeed or fail.
There is this thing called catastrophic thinking - you start thinking that something catastrophic is going to happen. I get on a plane and I think it's going to crash, I just know it's going to crash, so you're petrified.
There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.
Auctomatic was a compressed start-up experience, going from start to launch to acquisition in under a year. We spent a long time building the product before getting our first customer, whereas with Stripe we made sure we had paying customers from the very start.
Sometimes if somebody you feel you need... the whole universe tells you that you have to have her, you start watching her favorite TV shows all night, you start buying her the things she needs, you start drinking her drinks, you start smoking her bad cigarettes, you start picking up her nuances in her voice, you sleep in safe sometimes the most dangerous thing... this is called Mojo Pin.
Live, or die: mere consequences of what you have built. What matters is building well. So here we are, I've assigned myself a new obligation. I'm going to stop undoing, deconstructing, I'm going to start building. What matters is what you are doing when you die... I want to be building.
I remember thinking, 'If I don't love the woman that I look at in the mirror, I am never going to be successful.' That was the moment I had to start convincing myself to look in the mirror and start saying, 'I love you.'
You create a proto-human being out of people that you've encountered in your life, and you start building up this person and start becoming this person.
Music is where my love is. I don't think the acting thing is going to start outweighing that, but I think it's going to start being a good chunk of something I want to do.
Yes, I am one of those people who feels that most of my work is adaptation of one sort or another. For me, it's a way to jump-start the engine. For example, some people use the technique of basing a character on a friend. They start writing with his or her voice, then at a certain point, the character takes off on his or her own. It probably no longer resembles the model, but it helped the author to get going. I find that's true of form, too. For every play I've written, I know what play I was trying to imitate. That helps me get going.
Donald Trump's going to start a war, he's going to start attacking immigrants or Muslims or Black Lives Matter or whatever. Because he's going to have to distract them from the no jobs.
Start her, now; give 'em the long and strong stroke, Tashtego. Start her, Tash, my boy-start her, all; but keep cool, keep cool-cucumbers is the word-easy, easy-only start her like grim death and grinning devils, and raise the buried dead perpendicular out of their graves, boys-that's all. Start her!
If you become very self-conscious about what you are doing, you kill. You kill the character. Then it doesn't work. You have to come from a sincere place. And you don't think too much. I don't go to the hotel and I start thinking what am I going to say tomorrow and start writing things down.
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