A Quote by Chloe Zhao
What defines a Western? I've probably seen three my whole life.
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Life, liberty, and the pursuit of happiness: this triptych succinctly defines the attractiveness and superiority of Western civilization.
Monotheism at Sinai, primitive Christianity, messianic socialism: these are the three supreme moments in which Western culture is presented with what Ibsen termed "the claims of the ideal." These are the three stages, profoundly interrelated, through which Western consciousness is forced to experience the blackmail of transcendence.
The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.... The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.
Of course in Turkey I'm seen as being on the 'Western' side, criticised by the nationalists, criticised by the communitarians as not belonging. Even, sometimes, criticised for looking at my country through Western eyes. And in the Western media I'm portrayed as belonging to the East.
Stagecoach is really my first Western-Western, the whole horses and gunplay. It was really fun. We shot it fast, too. We got lucky with the weather. If it rained, I don't know if we would have been able to finish it. We had like 12 shooting days for the whole thing.
I've seen Jordanian television lead its newscast with three identical, consecutive scenes, all on the same royal couch. It's hilarious, and most Western reporters cackle sarcastically when they first see it. I certainly did.
I suppose that the Western has always been a kind of mold to which you could pour the concerns of the day, but have them seen in the simple terms of the Western, of one alley or whatever.
In the emerging world of ethnic conflict and civilizational clash, Western belief in the universality of Western culture suffers three problems: it is false; it is immoral; and it is dangerous.
I wouldn't say when you've seen one Western you've seen the lot; but when you've seen the lot you get the feeling you've seen one.
In the West the whole Western tradition of religion and psychology propounds, preaches, persuades people to have strong egos - because unless you have a strong ego, how can you survive? Life is a struggle; if you are egoless you will be destroyed. Then who will resist? Who will fight? Who will compete? And life is a continuous competition. Western psychology says: Attain to the ego, be strong in it.
I do feel that I need to do at least one more Western - I think you need to make three Westerns to call yourself a Western director.
One of the greatest things that ever taught me a super lesson was when I seen a baby come out of my woman's womb. Seeing this war that could end with both lives being lost, or both lives being made, gave me an enlightenment of life itself. It sparked my whole mind to a whole other level of living. And if I never would have seen it, I never would have understood life. I never would have appreciated life.
I've spoken out my whole life against the idea of simply dismissing whole areas of fiction by saying it's "genre" and therefore can't be seen as literature.
As I have pointed out, it is the Christian tradition that is the most fundamental element in Western culture. It lies at the base not only of Western religion, but also of Western morals and Western social idealism.
T]here is no other purpose of my existence except to know, love and get closer to God. This is the one and only reason why I was created. And this is the most essential realization, as it defines everything else I do or believe. It defines all things around me, and everything I experience in life.
In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.
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