When the Americans were trying to conquer the Navajos, they felt this need to capture Canyon de Chelly like it was the Navajo capital. It was a meeting place and a sanctuary of last refuge. To control Canyon de Chelly was to control the Navajo people.
I don't know why I just remembered this, and I haven't told anybody this, but we were shooting in Canyon de Chelly and we were so far up the canyon. Once we were up there, we were up there. There was no going back to your trailers.
You spend all this time, as a child, coming up with these fantasy stories, and here I am, sleeping in a treehouse, in the middle of Canyon de Chelly, shooting a Western. That's a bit of a once-in-a-lifetime experience.
I always have one or two, sometimes more, Navajo or other tribes' cultural elements in mind when I start a plot. In Thief of Time, I wanted to make readers aware of Navajo attitude toward the dead, respect for burial sites.
The first concert that my parents took me to was in this canyon in Saudi Arabia called Buttermilk Canyon. You sleep under the stars in the desert, and ex-pats - German, Swiss, Canadian, American - would play classical music that filled the whole canyon.
To encounter the sacred is to be alive at the deepest center of human existence. Sacred places are the truest definitions of the earth; they stand for the earth immediately and forever; they are its flags and shields. If you would know the earth for what it really is, learn it through its sacred places. At Devil’s Tower or Canyon de Chelly or the Cahokia Mounds, you touch the pulse of the living planet; you feel its breath upon you. You become one with a spirit that pervades geologic time and space.
My wartime experiences developing a code that utilized the Navajo language taught how important our Navajo culture is to our country. For me that is the central lesson: that diverse cultures can make a country richer and stronger.
Bryce Canyon isn't as famous as the Grand Canyon, but it is just incredible - nothing compares to it.
At this sunset hour, the canyon walls are indescribably beautiful and I fear the magic of photography can never record what I see now. The tall spires near the canyon's top and the walls of the canyon up there look as if God had reached out and swiped a brush of golden paint across them, gilding these rocks in the bright glow of the setting sun.
Well, once you've been in the Canyon and once you've sort of fallen in love with it, it never ends...it's always been a fascinating place to me, in fact I've often said that if I ever had a mistress it would be the Grand Canyon.
We [americans] need to control our border just like people have to control who goes in and out of their house.
We need only look to our Navajo Code Talkers during World War II to see the value that Native languages bring not only to their culture, but to the security of all Americans.
As for the flood carving Grand Canyon, why don't they explain to us why the top of the Canyon is 4,000ft higher than where the river (Colorado River) enters the canyon? Why don't they explain to us how rivers miraculously flowed up-hill for millions of years to finally cut the groove deep enough so they could flow downhill?
I was really bummed when I got to the last one of Tony Hillerman Navajo detective books.
I have always felt that violence was the last refuge of the incompetent, and empty threats the last sanctuary of the terminally inept.
The Colorado River did not form the Grand Canyon. The Grand Canyon was formed as the flood went down.
You can't say you're going to jump the Grand Canyon and then jump some other canyon.